Arte Popular features 100 pieces from Rex May's extensive collection of exquisite hand-crafted objects from all over Mexico. Coming from the reputable Mexican Museum, this volume demonstrates the dramatic power of folk art. This bilingual volume provides a veritable treasure trove of discoveries for the curious reader. • Features bold and atmospheric photographs • Includes scholarly essays that delve into the collection's origins and significance • A visual treat for lovers of Mexican art, craft, and visual culture The Rex May Collection–bequeathed to the Mexican Museum by the legendary 39-Mile-Drive sign designer–demonstrates the dramatic power of folk art. This book is a companion to the opening of the Mexican Museum building in downtown San Francisco's Yerba Buena museum neighborhood. • Perfect for museum goers and fans of Mexican arts and crafts • The Mexican Museum has been a San Francisco cultural destination and educational resource for 37 years, and became the only San Francisco affiliate of the Smithsonian Institution in 2012. • You'll love this book if you love books like Mexican Details by Joe P. Carr and Karen Witynski, Crafts of Mexico by Margarita de Orellana and Alberto Ruy Sanchez, and Masks of Mexico: Tigers, Devils, and the Dance of Life by Barbara Mauldin.

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Is popular culture merely a process of creating, marketing, and consuming a final product, or is it an expression of the artist's surroundings and an attempt to alter them? Noted Argentine/Mexican anthropologist Néstor García Canclini addresses these questions and more in Transforming Modernity, a translation of Las culturas populares en el capitalismo. Based on fieldwork among the Purépecha of Michoacán, Mexico, some of the most talented artisans of the New World, the book is not so much a work of ethnography as of philosophy—a cultural critique of modernism. García Canclini delineates three interpretations of popular culture: spontaneous creation, which posits that artistic expression is the realization of beauty and knowledge; "memory for sale," which holds that original products are created for sale in the imposed capitalist system; and the tourist outlook, whereby collectibles are created to justify development and to provide insight into what capitalism has achieved. Transforming Modernity argues strongly for popular culture as an instrument of understanding, reproducing, and transforming the social system in order to elaborate and construct class hegemony and to reflect the unequal appropriation and distribution of cultural capital. With its wide scope, this book should appeal to readers within and well beyond anthropology—those interested in cultural theory, social thought, and Mesoamerican culture.

There has always been an important visual element to the construction and questioning of national identity in post-Independence Mexico, though one that has not always been given its due, outside of the celebrated and much-studied muralists. Ranging from the early nineteenth century to the present – from the vogue for the picturesque, illustrated periodicals and the influential writings of Altamirano to a wealth of twentieth-century graphic artists, filmmakers and photographers – this book re-examines the complex variety of ways in which that visual element has operated. In particular, it looks at the ways in which discourses concerning ethnicity and cultural hybridity have been echoed and transformed in Mexican visual culture, resulting in fields of visual discourse which are eclectic and increasingly self-reflexive.

The Britannica Enciclopedia Moderna covers all fields of knowledge, including arts, geography, philosophy, science, sports, and much more. Users will enjoy a quick reference of 24,000 entries and 2.5 million words. More then 4,800 images, graphs, and tables further enlighten students and clarify subject matter. The simple A-Z organization and clear descriptions will appeal to both Spanish speakers and students of Spanish.