More than four million Spaniards came to the Western Hemisphere between the mid-nineteenth century and the Great Depression. Unlike that of most other Europeans, their major destination was Argentina, not the United States. Studies of these immigrants—mostly laborers and peasants—have been scarce in comparison with studies of other groups of smaller size and lesser influence. Presenting original research within a broad comparative framework, Jose C. Moya fills a considerable gap in our knowledge of immigration to Argentina, one of the world's primary "settler" societies. Moya moves deftly between micro- and macro-analysis to illuminate the immigration phenomenon. A wealth of primary sources culled from dozens of immigrant associations, national and village archives, and interviews with surviving participants in Argentina and Spain inform his discussion of the origins of Spanish immigration, residence patterns, community formation, labor, and cultural cognitive aspects of the immigration process. In addition, he provides valuable material on other immigrant groups in Argentina and gives a balanced critique of major issues in migration studies.

The counter-epic is a literary style that developed in reaction to imperialist epic conventions as a means of scrutinizing the consequences of foreign conquest of dominated peoples. It also functioned as a transitional literary form, a bridge between epic narratives of military heroics and novelistic narratives of commercial success. In Discourses of Empire, Barbara Simerka examines the representation of militant Christian imperialism in early modern Spanish literature by focusing on this counter-epic discourse. Simerka is drawn to literary texts that questioned or challenged the imperial project of the Hapsburg monarchy in northern Europe and the New World. She notes the variety of critical ideas across the spectrum of diplomatic, juridical, economic, theological, philosophical, and literary writings, and she argues that the presence of such competing discourses challenges the frequent assumption of a univocal, hegemonic culture in Spain during the imperial period. Simerka is especially alert to the ways in which different discourses—hegemonic, residual, emergent—coexist and compete simultaneously in the mediation of power. Discourses of Empire offers fresh insight into the political and intellectual conditions of Hapsburg imperialism, illuminating some rarely examined literary genres, such as burlesque epics, history plays, and indiano drama. Indeed, a special feature of the book is a chapter devoted specifically to indiano literature. Simerka's thorough working knowledge of contemporary literary theory and her inclusion of American, English, and French texts as points of comparison contribute much to current studies of Spanish Golden Age literature.

This collection of essays explores the dialogue between Arabic and European cultures during the medieval period starting from the year 700. Using critical approaches the contributors examine a variety of thematic and cultural concerns.

These 11 tales — published between 1870 and 1900 — are by 4 outstanding authors who brought new life to Spanish literature: Juan Valera, Pedro Antonio de Alarcón, Leopoldo Alas ("Clarín"), and Emilia Pardo Bazán.