A pesar de los temores que constantemente acechan su mente, el padre Alberto es un empedernido amante de las faldas que se traza la meta de tres mil mujeres por saciar con su inagotable vigor. Juana Morales proviene del inmenso mundo de nosotros los pobres y para alcanzar el éxito pronosticado por su abuela, la anciana que comía tierra, debe recorrer caminos tormentosos. El dulce encanto del infierno es el espejo de un mundillo complejo permeado por paramilitares, guerrilla, dirigentes nocivos, políticos corruptos y una Iglesia llamada a cambios estructurales so pena de desaparecer. Dos de las amantes del padre Alberto, gemelas incluso en sus gustos varoniles, son secuestradas por orden de la otra mujer en el triángulo amoroso del religioso. Allí comienza la historia... El infierno poco a poco se irá consolidando.

The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.

Veronica St. John is facing the challenge of a lifetime. The media consultant has two days to teach a rugged Navy SEAL to impersonate a European prince who has been targeted by terrorists. It's a tough assignment, but Veronica is sure she's up to the task--until she actually meets Joe. Despite his physical resemblance to the handsome prince, Lieutenant Joe Catalanotto is nothing like the stuffy aristocrat. Everything about the combat-hardened Navy SEAL--from the arrogant gleam in his eyes and streetwise attitude to the New York accent--says regular guy, not royalty. One conversation and Veronica knows nothing could turn this military man into nobility. Joe, on the other hand, is confident he's got what it takes to complete his duty. But neither of them expects their assignment to include falling in love....

Recently-widowed Goro hires au-pair Masayo to care for his eight-year-old daughter, Momoko, whose best friend is her cat, Lala. Masayo falls in love with Goro, but one fateful night he meets the gorgeous Chinatsu, who soon becomes his girlfriend. As Chinatsu tries to win over her potential stepdaughter's affections she realises she has to compete with Lala the cat - and she hates cats. Meanwhile, Momoko can only watch with jealousy, until the tension climaxes with a shocking act of femme fatale vengeance. A blend of traditional romance and suspense.