La luz y las tinieblas se enfrentan de nuevo en la cuarta parte de la saga Los dioses del norte, la serie de mitología del País Vasco y Navarra que lleva más de 35.000 ejemplares vendidos. Tres primos. Dos mundos. Un secreto. Es primavera y Gaua florece con cientos de colores. Las flores brillan más que nunca, y algunos lo achacan a la apertura del portal. Las normas han cambiado, y Emma, a pesar de tener quince años, puede entrar y salir de Gaua sin problema junto a Ada y a Teo, ¡y también la Amona! En el valle se respira optimismo y la promesa de una tranquilidad... que no durará mucho. Lo que todos habían considerado siempre una mera leyenda puede que sea más real de lo que creían. Una criatura que ha estado contenida durante demasiado tiempo amenaza con destruirlo todo a su paso. ¿Conseguirán los primos equilibrar las fuerzas del bien y el mal o ganará para siempre la batalla el caos que siembra un dios sediento de venganza? Un viaje en el que la magia te conducirá a la verdad.

Dangerous Highlander is the first novel of Dark Sword—a breathtaking historical and paranormal romance series from Donna Grant. The bold and passionate Lucan MacLeod—one of three brothers cursed by dark magic for eternity—is driven by desire for the one woman he dare not let himself possess... He is magnificently strong—and dangerously seductive. One of the fiercest of his clan, Lucan MacLeod is a legend among warriors, inspiring fear in man and woman alike. For three hundred years, he has locked himself away from the world, hiding the vengeful god imprisoned in his soul. But then, a young lass caught in a raging storm awakens his deepest impulses...and darkest desires. Cara doesn't believe the rumors about the MacLeod castle—until the majestic Highland warrior appears like a fiery vision in the storm, pulling her into his powerful arms, and into his world of magic and Druids. An epic war between good and evil is brewing. And Lucan must battle his all-consuming attraction for Cara—or surrender to the flames of a reckless, impossible love that threatens to destroy them both...

Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.

This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.