Arthur Miller was one of the major American dramatists of the twentieth century, clearly ranking with other truly great American playwrights, including Eugene O’Neill, Tennessee Williams, and Edward Albee. The centennial of Miller’s birth in New York City on October 17, 1915 was celebrated around the world with a panoply of staged productions, theatrical events, media documentaries, and academic conferences. Miller earned his reputation during a career of more than seventy years, in which he achieved critical success in the 1940s and 1950s with the dramas All My Sons, Death of a Salesman, The Crucible and A View from the Bridge. He was also notable for his refusal to “name names at his appearance before the House Un-American Activities Committee”, his marriage to the film actress Marilyn Monroe, and his spell as president of the literary organization, International P.E.N. Arthur Miller was not only a literary giant, but also one of the more significant political, cultural, and social figures of his time. He was a man of conviction and integrity who frequently took stands, popular and unpopular, on the ethical issues that engaged societies throughout the world. This collection includes eclectic essays from Miller scholars who provide detailed discussions of text and performance, of Miller as a political and cultural figure, and of his connection to other playwrights. The contributions explore the trajectory of Miller’s career, his most famous and frequently produced works, such as Death of a Salesman and The Crucible, the dramas of his later career, and his fiction. The collection appeals to a broad American and international audience and a cross-section of readers, including undergraduates, graduates, emerging scholars, drama and theatre specialists, as well as theatre-goers who flock to revivals of Miller’s plays.

No American playwright is more revered on the international stage than Arthur Miller. In Arthur Miller’s Global Theater—a fascinating collection of new essays by leading international critics and scholars—readers learn how and why audiences around the world have responded to the work of the late theatrical icon. With perspectives from diverse corners of the globe, from Israel to Japan to South Africa, this groundbreaking volume explores the challenges of translating one of the most American of American playwrights and details how disparate nations have adapted meaning in Miller’s most celebrated dramas. An original and engaging collection that will appeal to theater aficionados, scholars, students, and all those interested in Miller and his remarkable oeuvre, Arthur Miller’s Global Theater illustrates how dramas such as Death of a Salesman,The Crucible, and A View from the Bridge developed a vigorous dialogue with new audiences when they crossed linguistic and national borders. In these times when problems of censorship, repressive regimes, and international discord are increasingly in the news, Arthur Miller’s voice has never been more necessary as it continues to be heard and celebrated around the world. Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature at the University of Michigan. His other books include Arthur Miller: A Playwright’s Life and Works and Arthur Miller’s America.

In February 2006 the first international conference on Multilingualism and Applied Comparative Linguistics (MACL) was held in Brussels, Belgium. The aim of the MACL conference was to bring together scholars from various branches of applied linguistics with a shared interest in cross-linguistic and cross-cultural communication. The conference thus fostered an exchange of knowledge and expertise among researchers from various disciplines, including educational linguistics, cultural linguistics, terminography, translation studies and studies of specialised languages. The present book is the second of two volumes containing a selection from the approximately 120 papers that were presented at that three-day event. The book comprises five chapters, reflecting different research perspectives on cross-linguistic and cross-cultural communication. The first chapter covers research articles on metaphors and planned languages. The second chapter comprises articles dealing with language attitudes, language proficiency and language practices in cross-linguistic and cross-cultural, communicative contexts. Chapter three features articles in the field of discourse-analysis research. In the fourth chapter research is presented that pertains to terminology and specialised languages. Finally, chapter five deals with translation studies.

Soft and warm, Jane's blanket had always been there to comfort her, and she couldn't imagine drifting off to sleep without it. But with the passage of time, Jane grew bigger and bigger and her beloved pink blanket got smaller and smaller. This tender tale of how Jane learned to do without her blanket is a story that children and adults will be happy to share. In his only work for children, the author of Death of a Salesman offers a different kind of story. Arthur Miller's heartwarming tale of a child's growth and maturity is accompanied by charming images by Al Parker, a prominent illustrator and founder of the Famous Artists School.