En el año 1927 Albert Londres viajó de incógnito a la Argentina para llevar adelante una investigación sobre la trata de blancas. El camino de Buenos Aires, fruto de esa investigación, es mucho más que una crónica ocurrente o el relato de un viaje por el “paraíso de los rufianes”: constituye un testimonio polémico sobre la Argentina y un precioso documento sobre el circuito internacional del hampa.

El Camino (Spanish for &"the way&") is a day-by-day account of a modern American pilgrim's solitary walk from St. Jean Pied de Port in France, across the Pyrenees and northern Spain, to Santiago de Compostela, believed since medieval times to be the burial place of Saint James. During thirty-two days in 1993, Lee Hoinacki trod the 500-mile route followed by Europeans for over a thousand years, stopping each evening at pilgrim hospices, some centuries-old, to write in his diary. His reflections range from the historical examination of religious sensibility to analyses of modern developments in architecture and technology, from the theological understanding of place to the mentality of mountain bike riders. Readers share in the personal religious growth of a traditional Roman Catholic who, toward the end of his life, finds himself in the welcome company of those who walked the same camino during the past centuries. The constant interplay between pertinent anecdotes from well-chosen fellow pilgrims, both ancient and modern, and Hoinacki's experiences of contemporary Spanish customs and behavior gives the book a captivating timelessness and spiritual insight rarely found in other modern chronicles of the pilgrimage to Santiago.

¿Quiénes discutían? ¿Por qué discutían? ¿Sobre qué discutían? Novela contemporánea y de entretenimiento, con personajes de diversas creencias, quienes te cautivarán por su personalidad y con quienes te identificarás. Al mismo tiempo, irán provocando en ti emociones y cuestionamientos que quizá no te has atrevido a confrontar. La novela te mantendrá enganchado de principio a fin y te permitirá ir haciendo conciencia con respecto a las necesidades de todo ser humano en sus aspectos físico, intelectual, familiar, social, emocional y espiritual a lo largo de toda la lectura.

This book recounts the events involving Raquel Liberman, an impoverished immigrant to Argentina that was forced by circumstances into prostitution, and the powerful Zwi Migdal, which controlled the recruitment and deployment of Jewish prostitutes in Argentina while maintaining mutually profitable relations with corrupt politicians and policemen. Liberman's story is presented as an example of individual courage and determination in the face of the violence and corruption of the prostitution business. Her struggle with the Zwi Migdal and triumphant public victory over her oppressors was widely publicized in newspapers and magazines, and was a political cause celebre in its time. This book gives readers an intimate view of how the affair caught the public imagination, and was interpreted and transformed by the artistic imagination.

"Craig begins by attributing the early introduction of the Recherche to the intimate friendship between Proust and the pianist-composer Reynaldo Halm, who was born in Caracas. He then shows in chapter 1 how literary critics of the principal newspapers and literary magazines of such countries as Venezuela, Argentina, and Chile examined this French text, which we know today as one of the fundamental works of modernism. Shortly thereafter interest in the Recherche spread to Cuba, Mexico, Uruguay, and Colombia. Eventually it would be read in all parts of the New World. Over the years Spanish Americans have continued to write about the Recherche and have published several noteworthy books on it, which are included in the comprehensive bibliography which serves as an appendix."--BOOK JACKET.

Investigates how Argentine cinema has represented rural spaces and urban margins from the 1910s to the present. The Projected Nation examines the representation of rural spaces and urban margins in Argentine cinema from the 1910s to the present. The literary and visual culture of the nineteenth and early-twentieth centuries formulated a spatial imaginary—often articulated as an opposition between civilization and barbarism, or its inversion—into which the cinema intervened. As the twentieth century progressed, the new medium integrated these ideas with its own images in various ways. At times cinema limited itself to reproducing inherited representations that reassure the viewer that all is well in the nation, while at others it powerfully reformulated them by filming spaces and peoples previously excluded from the national culture and left behind in the nation’s modernizing process. Matt Losada accounts for historical events, technological factors, and the politics of film form and viewing in assessing a selection of works ranging from mass-marketed cinema to the political avant-garde, and from the canonical to the nearly unknown. “This is an ambitious work that views the spatial imaginary in a full century of film development as informed by national culture and politics.” — Marvin D’Lugo, coeditor of The Routledge Companion to Latin American Cinema