Nicias has never felt completely at home among the avians and serpiente in Wyvern’s Court, despite his loyalty to Oliza Shardae Cobriana, the heir to both thrones. He is a falcon, the son of two exiles from Anhmik–and images of this distant island have always haunted his dreams. But when Nicias’s visions become more like reality, his parents have no choice but to send him back to the homeland–and a royal falcon–they’ve tried their best to forget. If Araceli won’t bind Nicias’s newfound magic, it could destroy him. In a place where everyone is a pawn, only one other woman has the potential to save Nicias. But she holds the keys to a dangerous power struggle that will force Nicias to choose between his duty–and his destiny.

A satire about the Soviet space program finds Omon, who has dreamed of space flight all of his life, enrolled as a cosmonaut only to learn that his task will be piloting a supposedly unmanned lunar vehicle to the Moon and remaining there to die.

Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.