The story of two RAF fliers interned in Ireland during World War II.

This essential new history of the Irish state synthesises existing research with new findings, and adopts fresh perspectives based on neglected European and American debates. It examines the evolution of Irish diplomacy from six consulate officers in the 1920s to sixty ambassadors in the 2010s, and provides an overview of a century of Ireland's diplomatic history that has previously only been examined in a piecemeal fashion. The author's original research findings are focussed particularly on Ireland's struggle for independence in a global context, and his original analysis gives an account of how the economic performance of the Irish state formed a perpetual context for its role in international relations even when this was not a priority of its diplomats. Equal attention is paid to the history of international Irish trade, the operations of bilateral Irish relations, and multilateral diplomacy. It highlights how the Irish state came to find its role in international relations mostly by means of the UN and EU, and analyses this trend in the light of international relations theory and European history.

Drawing on access to both now rare publications and personal discussions, the history of the Éire Nua peace plan for a free Federal Republic encompassing all of Ireland is examined and explained. From its roots in the 1970's Republican struggle in Ireland, to it's continued promotion and study in the United States; the historical and contemporary relevance of this dynamic peace plan is thoroughly documented. A must read for all interested in the plight of the Irish.

This volume explores Irish rock's relationship to the wider world of international popular music through detailed analysis of the island's most prominent artists and bands such as U2, Van Morrison, Sinéad O'Connor, The Boomtown Rats, and Horslips - and key musical movements including the beat scene and the folk revival.

Before the advent of television in the 1950s, the newsreels were the only visual news medium available to the Irish public. This title tells the story of how the newsreels depicted the Irish as violent, insular and backward, as well as enterprising, plucky and an asset to Britain, depending on the political climate.