The most important scientist of the twentieth century and the most important artist had their periods of greatest creativity almost simultaneously and in remarkably similar circumstances. This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations -- Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.

This peerless classic guide to the creative self uses portraits of seven extraordinary individuals to reveal the patterns that drive the creative process -- to demonstrate how circumstance also plays an indispensable role in creative success. Howard Gardner changed the way the world thinks about intelligence. In his classic work Frames of Mind, he undermined the common notion that intelligence is a single capacity that every human being possesses to a greater or lesser extent. With Creating Minds, Gardner gives us a path breaking view of creativity, along with riveting portraits of seven figures who each reinvented an area of human endeavor. Using as a point of departure his concept of seven "intelligences," ranging from musical intelligence to the intelligence involved in understanding oneself, Gardner examines seven extraordinary individuals -- Sigmund Freud, Albert Einstein, Pablo Picasso, Igor Stravinsky, T.S. Eliot, Martha Graham, and Mahatma Gandhi -- each an outstanding exemplar of one kind of intelligence. Understanding the nature of their disparate creative breakthroughs not only sheds light on their achievements but also helps to elucidate the "modern era" -- the times that formed these creators and which they in turn helped to define. While focusing on the moment of each creator's most significant breakthrough, Gardner discovers patterns crucial to our understanding of the creative process. Creative people feature unusual combinations of intelligence and personality, and Gardner delineates the indispensable role of the circumstances in which an individual's creativity can thrive -- and how extraordinary creativity almost always carries with it extraordinary human costs.

An imagined meeting between Pablo Picasso and Albert Einstein in 1904 examines the impact of science and art on a rapidly changing society

From Isaacson, the bestselling author of "Benjamin Franklin," comes the first full biography of Albert Einstein since all his papers have become available--a fully realized portrait of a premier icon of his era.

"More than a history of science; it is a tour de force in the genre." —New York Times Book Review A dramatic new account of the parallel quests to harness time that culminated in the revolutionary science of relativity, Einstein's Clocks, Poincaré's Maps is "part history, part science, part adventure, part biography, part meditation on the meaning of modernity....In Galison's telling of science, the meters and wires and epoxy and solder come alive as characters, along with physicists, engineers, technicians and others.…Galison has unearthed fascinating material" (New York Times). Clocks and trains, telegraphs and colonial conquest: the challenges of the late nineteenth century were an indispensable real-world background to the enormous theoretical breakthrough of relativity. And two giants at the foundations of modern science were converging, step-by-step, on the answer: Albert Einstein, an young, obscure German physicist experimenting with measuring time using telegraph networks and with the coordination of clocks at train stations; and the renowned mathematician Henri Poincaré, president of the French Bureau of Longitude, mapping time coordinates across continents. Each found that to understand the newly global world, he had to determine whether there existed a pure time in which simultaneity was absolute or whether time was relative. Esteemed historian of science Peter Galison has culled new information from rarely seen photographs, forgotten patents, and unexplored archives to tell the fascinating story of two scientists whose concrete, professional preoccupations engaged them in a silent race toward a theory that would conquer the empire of time.

The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.

A reprint of the 1985 edition. On the impact of quantum theory and general relativity upon creative writers in the first half of this century. Annotation copyrighted by Book News, Inc., Portland, OR