Zhivov's magisterial work tells the story of the creation of a new vernacularliterary language in modern Russia, an achievement arguably on a par with thenation's extraordinary military successes, territorial expansion, developmentof the arts, and formation of a modern empire.

This is a collection of thirteen major essays on eighteenth-century Russia by one of the most distinguished Western historians. They illustrate and explore three major themes: the development of the Russian state and Russian society, in the years when Russia was changing from a minor power on the European periphery to a major actor on the continental stage; the influence of western ideas and western thought on Russian politics and culture; and the impact of the Enlightenment on Russia. This is a substantial contribution not just to the history of Russia, but to early modern Europe generally.

From the untimely demise of the 52-year-old Peter the Great in 1725 to nearly the end of that century, the fate of the Russian empire would rest largely in the hands of five tsarinas. This book tells their stories. Peter's widow Catherine I (1725-27), an orphan and former laundress, would gain control of the ancestral throne, a victorious army, and formidable navy in a country that stretched from the Baltic Sea to the Pacific Ocean. Next, Anna Ioannovna (1730-40), chosen by conniving ministers who sought an ineffectual puppet, would instead tear up the document that would have changed the course of Russian history forever only to rule Russia as her private fiefdom and hunting estate. The ill-fated Anna Leopoldovna (1740-41), groomed for the throne by her namesake aunt, would be Regent for her young son only briefly before a coup by her aunt Elizabeth would condemn Anna's family to a life of imprisonment, desolation, and death in obscurity. The beautiful and shrewd Elizabeth (1741-61) would seize her father Peter's throne, but, obsessed with her own fading beauty, she would squander resources in a relentless effort to stay young and keep her rivals at bay. Finally, Catherine the Great (1762-96) would overthrow (and later order the murder of) her own husband and rightful heir. Astute and intelligent, Catherine had a talent for making people like her, winning them to her cause; however, the era of her rule would be a time of tumultuous change for both Europe and her beloved Russia. In this vivid, quick-paced account, Anisimov goes beyond simply laying out the facts of each empress's reign, to draw realistic psychological portraits and to consider the larger fate of women in politics. Together, these five portraits represent a history of 18th-century court life and international affairs. Anisimov's tone is commanding, authoritative, but also convivial--inviting the reader to share the captivating secrets that his efforts have uncovered.

Patrons of Enlightenment is the first English language study of the St. Petersburg Free Economic Study, one of the most prestigious and influential public associations in Imperial Russian history. Established in 1765 under the personal protection of Catherine the Great, its mission was to enlighten the villages and country estates of the Russian Empire by spreading the gospel of scientific agriculture to noble landowners and the peasants working their land. Emulating the patriotic associations of Western and Central Europe, it also sought to put the finishing touches on the cultural westernization of Russia initiated by the reforming tsar Peter the Great. Within the walls of its meeting house in St. Petersburg, it offered a neutral space where people of different rank, status, and lineage assembled to debate the great issues of the day, above all else the role of a privileged and enlightened nobility in a society anchored in serfdom. For its network of readers and correspondents in the provinces, it provided an opportunity to earn distinction on Russia's public stage through its voluminous publications and its flagship journal, the Transactions of the Free Economic Society. The Society provided the template for public activity and initiative in Imperial Russia, as hundreds of other organizations in the nineteenth century would emulate its example.

For those who cannot read the language of the original texts, the lively and varied world of eighteenth-century Russian literature has been largely inaccessible. In this valuable collection, expert translator David Gasperetti presents three seminal tales that express the major literary, social, and philosophical concerns of late-eighteenth-century Russia. The country's first bestseller, Matvei Komarov's Vanka Kain tells the story of a renowned thief and police spy and is also an excellent historical source on the era's criminal underworld. Mikhail Chulkov's The Comely Cook is a cross between Moll Flanders, with its comic emphasis on a woman of ill-repute who struggles to secure her place in society, and Tristram Shandy, with its parody of the conventions of novel writing. Finally, Nikolai Karamzin's Poor Liza, the story of a young woman who kills herself over a failed love affair, set the standard for writing sentimentalist fiction in Russia. Taken as a whole, these three works outline the beginnings of modern prose fiction in Russia and also illuminate the literary culture that would give rise to the Golden Age of Russian letters in the middle of the next century.

Starting from an examination of the rich legacy of Russian music up to 1700, Marina Ritzarev explores the development of music over the course of the eighteenth century. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the background of social, political and cultural life and the importance of previously marginalized sectors is highlighted. New light is also cast on the well-researched topic of Russian opera