Bounty hunter Stephanie Plum’s life is set to blow sky high when international murder hits dangerously close to home, in this dynamite novel by Janet Evanovich. Before Stephanie can even step foot off Flight 127 Hawaii to Newark, she’s knee deep in trouble. Her dream vacation turned into a nightmare, and she’s flying back to New Jersey solo. Worse still, her seatmate never returned to the plane after the L.A. layover. Now he’s dead—and a ragtag collection of thugs and psychos, not to mention the FBI, are all looking for a photograph he was supposed to be carrying. Only one person has seen the missing photo: Stephanie Plum. Now she’s the target. An FBI sketch artist helps Stephanie re-create the person in the photo, but Stephanie’s descriptive skills are lacking. Until she can improve them, she’ll need to watch her back. Over at the bail bonds agency things are going from bad to worse. Vinnie’s temporary HQ has gone up in smoke. Stephanie’s wheelman, Lula, falls for their largest skip yet. Lifetime arch nemesis Joyce Barnhardt moves into Stephanie’s apartment. And everyone wants to know what happened in Hawaii? Morelli, Trenton’s hottest cop, isn’t talking about Hawaii. Ranger, the man of mystery, isn’t talking about Hawaii. And all Stephanie is willing to say about her Hawaiian vacation is . . . It’s complicated.

Eighteen is hard. And so is Mateo Alesci. Hard to read, hard to predict, hard in every way that counts. He wants things from me. Dirty things, nasty things, forbidden things. And I have to give in. His attention is completely inappropriate, but I can't say no. The way he looks at me... the way he watches me through my bedroom window... the way he drags me deeper and deeper into his completely forbidden fantasy just... turns me on. He knows it turns me on. He holds all the power. He holds all the cards. He holds my entire future in his hands. And I have to give in. Because Mr. Alesci is my teacher. And I need everything he's offering.

From the former Communications Director for the White House and current political media strategist comes a suspenseful and smart commercial novel about the first female president and all dramas and deceptions she faces both in politics and in love. Eighteen Acres, a description used by political insiders when referring to the White House complex, follows the first female President of the United States, Charlotte Kramer, and her staff as they take on dangerous threats from abroad and within her very own cabinet. Charlotte Kramer, the 45th US President, Melanie Kingston, the White House chief of staff, and Dale Smith, a White House correspondent for one of the networks are all working tirelessly on Charlotte’s campaign for re-election. At the very moment when they should have been securing success, though, Kramer’s White House implodes under rumors of her husband’s infidelity and grave errors of judgment on the part of her closest national security advisor. In an upheaval that threatens not only the presidency, but the safety of the American people, Charlotte must fight to regain her footing and protect the the country she has given her life to serving. Eighteen Acres combines political and family drama into one un-put-downable novel. It is a smart, juicy and fast-paced read that we’re sure fans of commercial women’s fiction will fall in total love with.

"A collection of twenty illustrations by artist Edward Gorey"--

Deep in the mysterious jungles of Central America, in a time when Arthur was long dead, yet before Charlemagne even stirred in the womb, the brilliant and powerful god-king, Eighteen Rabbit, ruled the city of Copan in renaissance splendor. This is his story – a tale of glorious temples and gory sacrifices, strange narcotics and brutal statecraft. It is a story of pride and humility, love and betrayal, devious intrigue and the triumph of the human will. It is a story told by Eighteen Rabbit himself, masterfully teased out of the stone inscriptions he commissioned, as if it happened only yesterday. Thank you,

In 1811 England was on the brink of economic collapse and revolution. The veteran poet and campaigner Anna Letitia Barbauld published a prophecy of the British nation reduced to ruins by its refusal to end the interminable war with France, titled Eighteen Hundred and Eleven. Combining ground-breaking historical research with incisive textual analysis, this new study dispels the myth surrounding the hostile reception of the poem and takes a striking episode in Romantic-era culture as the basis for exploring poetry as a medium of political protest. Clery examines the issues at stake, from the nature of patriotism to the threat to public credit, and throws new light on the views and activities of a wide range of writers, including radical, loyalist and dissenting journalists, Coleridge, Wordsworth, Southey, and Barbauld herself. Putting a woman writer at the centre of the enquiry opens up a revised perspective on the politics of Romanticism.