Literary and morphemic translations of eight Nassilingmiut (Central Arctic Inuit) myths are provided.

In an age where southern power-holders look north and see only vacant polar landscapes, isolated communities, and exploitable resources, it is important to note that the Inuit homeland encompasses extensive philosophical, political, and literary traditions. Stories in a New Skin is a seminal text that explores these Arctic literary traditions and, in the process, reveals a pathway into Inuit literary criticism. Author Keavy Martin considers writing, storytelling, and performance from a range of genres and historical periods—the classic stories and songs of Inuit oral traditions, life writing, oral histories, and contemporary fiction, poetry and film—and discusses the ways in which these texts constitute an autonomous literary tradition. She draws attention to the interconnection between language, form and context and illustrates the capacity of Inuit writers, singers and storytellers to instruct diverse audiences in the appreciation of Inuit texts. Although Eurowestern academic contexts and literary terminology are a relatively foreign presence in Inuit territory, Martin builds on the inherent adaptability and resilience of Inuit genres in order to foster greater southern awareness of a tradition whose audience has remained primarily northern.

An examination of the musical traditions of the Inuit of Nain, Labrador. Particular emphasis is placed upon the influence of Moravian missionaries on Inuit performance since 1771, a situation which is compared with that of Christian missionaries on the Inuit of Pangnirtung, Northwest Territories.

This monograph consists of word and affix-lists, as well as grammatical observations, concerning the language of the Southern Labrador Inuit from 1694 to 1785. They were collected from written texts of this period and show that the language of these eighteenth century Inuit is almost identical with that of their contemporaries in the Eastern Canadian Arctic./Ce travail présente sous forme de listes de mots et d’affixes ainsi que de remarques grammaticales les données linguistiques continues dans les textes d’époque portant sur les Inuits du Labrador méridional, de 1694 à 1785. Il nous permet de constater que la langue inuit du18e siècle était, à peu de choses près, semblable à celle qui est parlée aujourd’hui dans l’Arctique oriental canadien.

A collection of forty-one Inuit songs from Eskimo Point, Northwest Territories, featuring three genres: ajajait (personal songs), animal songs, and songs sung by children playing games.

A study of the development of contemporary Inuit literature, in both Inuktitut and English, including a discussion of its themes, structures and roots in oral tradition. The author concludes that a strong continuity persists between the two narrative forms despite apparent differences in subject matter and language.

This study defines the traditional styles and genres of Netsilik Inuit music and examines the extent of change which this music has undergone especially as a result of contact with European and North American music. Volume two consists of song transcriptions and commentaries.