This ground-breaking work presents original research on cultural politics and battles in Egypt at the turn of the twenty first century. It deconstructs the boundaries between ‘high’ and ‘low’ culture drawing on conceptual tools in cultural studies, translation studies and gender studies to analyze debates in the fields of literature, cinema, mass media and the plastic arts. Anchored in the Egyptian historical and social contexts and inspired by the influential work of Pierre Bourdieu, it rigorously places these debates and battles within the larger framework of a set of questions about the relationship between the cultural and political fields in Egypt.

This ground-breaking work presents original research on cultural politics and battles in Egypt at the turn of the twenty first century. It deconstructs the boundaries between ‘high’ and ‘low’ culture drawing on conceptual tools in cultural studies, translation studies and gender studies to analyze debates in the fields of literature, cinema, mass media and the plastic arts. Anchored in the Egyptian historical and social contexts and inspired by the influential work of Pierre Bourdieu, it rigorously places these debates and battles within the larger framework of a set of questions about the relationship between the cultural and political fields in Egypt.

This book examines a key question through the lens of popular culture: Why did the Egyptian people opt to elect in June 2014 a new president (Abdel Fattah al-Sisi), who hails from the military establishment, after toppling a previous military dictator (Hosni Mubarak) with the breakout of the 25 January 2011 Revolution? In order to dissect this question, the author considers the complexity of the relationship between the Egyptian people and their national army, and how popular cultural products play a pivotal role in reinforcing or subverting this relationship. The author takes the reader on a ‘journey’ through crucial historical and political events in Egypt whilst focusing on multi-layered representations of the ‘military figure’ (the military leader, the heroic soldier, the freedom fighter, the conscript, the martyred soldier, and the Intelligence officer) in a wide range of popular works in literature, film, song, TV drama series, and graffiti art. Mostafa argues that the realm of popular culture in Egypt serves as the ‘blood veins’ which feed the nation’s perception of its Armed Forces.

"[Cohen] discusses in lucid detail the manner by which policymakers in Israel and Egypt were caught in difficulties of intercultural communication. . . . a most interesting and persuasive argument." —Middle East Journal "Culture and Confict is a tour de force, and this reviewer's candidate for 1990 book-of-the-year on the Middle East. Cohen's wide reading and analytic brilliance enable him to offer stunning insights and build a persuasive argument about the importance of culture in relations between states." —Orbis " . . . Raymond Cohen's dazzling interpretation of political culture in diplomacy and the relations between states." —Daniel Pipes, The American Spectator "Like tourists caught on different sides of the Niagara Falls, Egyptians and Israelis could only gesticulate at each other across the roaring, spray-filled divide in grotesque and mutual incoherence." —from the Introduction Proceeding from markedly different religious, linguistic, and historical traditions, Egyptian and Israeli cultures have found great difficulty in communicating with each other, even when objective grounds for accommodation have existed. Extensively illustrated from the historical record, this book demonstrates that Egyptian-Israeli relations before and after Camp David have been and still are dogged by problems of intercultural communication.

In The Books behind the Masks Anthony Spalinger continues his work on the warrior kings of pharaonic Egypt. Here is covered their actual war records from the perspective of literature and the contemporary court-based society, especially with the eulogies.

Egypt is one of the few great empires of antiquity that exists today as a nation state. Despite its extraordinary record of national endurance, the pressures to which Egypt currently is subjected and which are bound to intensify are already straining the ties that hold its political community together, while rendering ever more difficult the task of governing it. In this timely book, leading expert on Egyptian affairs Robert Springborg explains how a country with such a long and impressive history has now arrived at this parlous condition. As Egyptians become steadily more divided by class, religion, region, ethnicity, gender and contrasting views of how, by whom and for what purposes they should be governed, so their rulers become ever more fearful, repressive and unrepresentative. Caught in a downward spiral in which poor governance is both cause and consequence, Egypt is facing a future so uncertain that it could end up resembling neighboring countries that have collapsed under similar loads. The Egyptian "hot spot", Springborg argues, is destined to become steadily hotter, with ominous implications for its peoples, the Middle East and North Africa, and the wider world.

Unlike The Literary Atlas of Cairo, which focuses on the literary geopolitics of the cityscape, this companion volume immerses the reader in the complex network of socioeconomic and cultural lives in the city. The seven chapters first introduce the reader to representations of some of Cairo's prominent profiles, both political and cultural, and their impact on the city's literary geography, before presenting a spectrum of readings of the city by its multiethnic, multinational, and multilingual writers across class, gender, and generation. Daunting images of colonial school experiences and startling contrasts of postcolonial educational realities are revealed, while Cairo's moments of political participation and oppression are illustrated, as well as the space accorded to women within the city across history and class. The city's marginals are placed on its literary map, alongside representations of the relationship between writing and drugs, and the places, paraphernalia, and products of the drug world across class and time.