Shows the intimate relationship between Egypt and Hispania archaeologically, historically, culturally, ethnologically, linguistically, etc. This book reveals the Ancient Egyptian roots of the Romany (Gypsies) and how they brought about the civilization and orientalization of Hispania, over the past 6,000 years. The book also shows the intimate relationship between Egypt and Hispania archaeologically, historically, culturally, ethnologically, linguistically, etc., as a result of the immigration of the Egyptian Romany (Gypsies) to Iberia. This Expanded Version of the book consists of 14 chapters: Chapter one, The Romany (Gypsy) Essence of Hispania, sorts through the subject of the Gypsies and differentiates the Egyptian Romany from non-Egyptian nomadic groups. It highlights their Egyptian characteristics and their different related groups. Chapter two, Our Heavenly Mother, shows how Ancient Egypt and Iberia share the intense love for the Virgin Mother (known in Ancient Egypt as Isis and in Christianity as Mary/Maria). A shortened version of the story of Isis and Osiris is presented, so as to draw parallels between the Ancient Egyptian Isis and the Virgin Mary. The role of Mary/Auset formed the basis for the matrilineal/matriarchal societal framework. This chapter also shows the role of the bull in Ancient Egypt and Iberia, and that the practices of bullfights and running of the bulls in Iberia can only be found in Ancient Egypt, since at least 5,000 years ago. Chapter three, Out of Egypt, gives an overview of the major pitfalls in the common theories about the history of Iberia. It highlights the false chronology and dating in most references. It also highlights the incredible silence in most references about the role of the most populous, wealthiest, and prominent civilization in the ancient world—namely Egypt. It provides the accounts of early Egyptian immigration to other countries, and accounts of some of their early settlements in Asia and Europe. It also provides the general consensus on the population characteristics in Iberia and how the Ancient Egyptians (of all nations in the world) match these characteristics exactly. Chapter four, The Egyptian-Hispanic Alloys, describes the Ancient Egyptian knowledge of metallurgy, and their ability to make numerous metallic alloys. It will show how Ancient Egypt lacked certain minerals to make specific alloys (such as electrum, copper, and bronze), the high demand for metals in Egypt, and how the fluctuation in the production of such goods in Ancient Egypt correlated to the rise and fall of mining activities in Iberia. It also shows the Ancient Egyptian history of organization and management of large mining sites, settlement fortifications, etc. Chapter five, In the Beginning—Almeria, highlights the archaeological findings at the early settlements in several Iberian regions—beginning at Almeria, and correlates these activities in Iberia with Ancient Egypt—to show unique similarities and affinities between Ancient Egypt (in pre- and early dynastic times) and Iberia, in all aspects of religion, architecture, farming, metalworking, etc. Chapter six, Masters of the Seas, shows the supremacy of the Ancient Egypt ships, their sizes, types, and functions. It provides an overview of the Egyptian goods that were sought worldwide. It identifies the patrons (deities) of travel and how they were adopted 100% by others, such as the Phoenicians. Chapter seven, Merchants of the Seas, evaluates the common theory about the role of the Phoenicians/Punics in the history of Iberia, by describing the archaeological and historical evidence in the Phoenicians’ homeland. The evidence is overwhelming that Phoenicia was a vassal of Ancient Egypt and that the Phoenicians copied all aspects of the Ancient Egyptian culture. It shows that Phoenicians were experienced seafarers and traders and nothing else. The Phoenicians did not have the number of people (or the talent) for the farming, art, industry, and building skills necessary to establish new settlements in Iberia or elsewhere. Chapter eight, Canopus and Cádiz: A Tale of Two Harbors, provides a clear history of Cádiz and its role as the western gateway to western Iberia, northern Europe, and the African continent. It shows that the reported fishing and salting techniques as well as its famed dancers were duplicates of the same in Ancient Egypt. It highlights the significance of the Canopus harbors (Alexandria before Alexander), as the center of commerce in the whole world, for thousands of years. It describes the role of the (Egyptian) Hercules/Herakles at Egyptian harbors and how other countries imitated Egypt in this regard. It shows the similarities between the Cádiz harbor with its temples and the harbor at Canopus with its temples. Chapter nine, The Assyrian Devastation and Aftershocks, correlates the rise of power of the Assyrians (and later the Persians), to the waves of mass migration from Ancient Egypt, which coincided with the increase in population and the number of settlements in Iberia. Chapter ten, Romanticizing the Romans, addresses the lack of merit of Romans’ influence in Iberia—in all aspects of Iberian life, such as culture, government, religion, language, society, buildings, etc. Chapter eleven, The Moors and the Egyptians, addresses the falsehoods of credits given to the Moors/Moslems/Arabs. It identifies the true origin of these invaders and how they were removed from the civilized aspects in Iberia, such as farming, housing, gardens, arts, crafts, etc., and how all these aspects and activities were only found in Egypt, before they appeared in Iberia. It also shows the huge number of Egyptian settlers in the areas that are the best farmed in Iberia, such as Algarve and Murcia. Chapter twelve, The Origin of the Hispanic Languages/Dialects, defines the role of the Ancient Egypt language as the mother of all Semitic languages, as well as all other languages/dialects in the Mediterranean Basin and beyond. Chapter thirteen, The Animated Religious Traditions, shows how the people of both Egypt and the Iberian Peninsula share the same concept of Animism, the power of saints, religious pilgrimages, festivals, etc. It also describes the role of Ancient Egypt in Priscillianism, which was (and continues to be) widespread. It also relates the fate of Priscillian to the pilgrimage and traditions at Santiago de Compostela. It shows that the history and practices of confraternities in Catholic-ruled Iberia (and southern Italy) coincide exactly with “Sufi” Orders in Islamized countries, and that the fundamentals and practices of these mystical groups under Islamic and Christian rules are of Ancient Egyptian origin. Chapter fourteen, The Egyptian-Hispanic Musical Heritage, shows the intimacy between the Egyptians and Iberian heritage as it relates to music, poetry, song, and dance. It shows that the Ancient Egyptians—not the Moors—are the source of music, singing, dancing, and poetry in the Iberian Peninsula. It highlights the role of the (Egyptian) Romany as the performers of these activities in the Iberian Peninsula. It describes the major celebratory musical activities in both Egypt and the Iberian Peninsula.

This book reveals several aspects of the Ancient Egyptian culture, such as the very remote antiquities of Egypt; the Egyptian characteristics and religious beliefs and practices; their social/political system; their cosmic temples; the richness of their language; musical heritage and comprehensive sciences; their advanced medicine; their vibrant economy; excellent agricultural and manufactured products; their transportation system; and much more. This Expanded Edition of the book consists of four Parts with a total of 16 Chapters, as well as three Appendices. Part I : The Peoples of Egypt consists of four chapters 1 through 4, as follows: Chapter 1: The Beginning covers the age of the Egyptian antiquities being at least 39000 years, in accordance with archaeological, historical and physical evidence; the Age of Leo and the Sphinx; as well as the age of the Egyptian Sothic calendar which is by far the most accurate calendar ever. Chapter 2: The Egyptian Populous covers the roots and characteristics of the [Ancient]Egyptian people, their housings, their settlements throughout the world; and the roles of foreigners in the history of Ancient Egypt. Chapter 3: The Most Religious covers Egyptian cosmology; monotheism and polytheism; animal symbolism ,creation of the universe, the concept of Maat; and the spread of the Ancient Egyptian religion throughout the world under new "names". Chapter 4: The Social/Political Order covers the basis and applications of the matrilineal/matriarchal principles; the matrilocal communities; the Egyptian grassroots republic system; the dual overseeing/administration governing system; and the documentation order of all matters in the Egyptian society Part II : The Cosmic Correlations consists of three chapters 5 through 7, as follows: Chapter 5: As Above, So Below covers the principles and applications of cosmic consciousness in the life of the Egyptians; and the cyclical renewal festivals as a form of such principles Chapter 6: The Pharaoh, The Cosmic Link covers the true rule of the Egyptian pharaoh as a Master Servant; how did the people rule; and much more. Chapter 7: Egyptian Temples provides a quick overview of the real function/objective of the Egyptian temple; the harmonic design parameters; and much more. Part III : The Learned Egyptian consists of five chapters 8 through 12, as follows: Chapter 8: The Divine Language provides a quick overview of the modes of writing in Ancient Egypt -- the alphabetical form of writing and the imagery pictorial metaphysical symbols/script ; as well as the cultured aspects of the Egyptian alphabetical language Chapter 9: The Egyptian Musical Heritage provides a quick overview of its musical heritage; the musical orchestras; the wide range of musical instruments; as well as dancing and ballet in Ancient Egypt. Chapter 10; Health and Medicine provides a quick overview about the international highest regards for Egyptian medicine; its medical profession; contents of the some Egyptian medical papyri regarding diagnosis, cures and treatments of various ailments, surgeries; and the wide range of prescriptions Chapter 11: Astronomy covers the astonishing accurate astronomical knowledge and practices such as astronomical observations and recordings, the zodiac cycle,etc Chapter 12: Geometry and Mathematics covers a quick overview of the subjects of sacred geometry and natural science, geodesy, mathematics & numerology; as well as their knowledge and applications of the sacred “ratios” of Pi and Phi. Part IV : The Vibrant Economy consists of four chapters 13 through 16, as follows: Chapter 13: The Cultivating Culture covers the outstanding application of dry-weather farming techniques; societal division of labor; and the farming community Chapter 14; The Manufacturing Industries covers The Egyptian knowledge of metallurgy & metalworking; their golden silver (electrum) products; their copper and bronze products; their glazing (glass and glazing) products; their iron products; their mining activities; miscellaneous products such as woodwork; fabrics; pottery; leather; paper; as well as some miscellaneous technological applications Chapter 15: Transportation Infrastructure covers a quick overview of the various high quality types of the Egyptian ships; major Egyptian coastal harbors; land transportation; as well as patrons and shrines of travel Chapter 16: The Market Economy covers the workings of the Egyptian market economy; business transactions; Egyptian exports (goods and services); Egyptian imports; as well as the rise and fall of international commerce, that was tied to Ancient Egypt as the economical engine of the ancient world. The contents of the three appendices are evident from their titles; being: Appendix A: Photographs -- The Rising Valley Appendix B: Photographs -- The Age of Leo and The Sphinx Appendix C: Photographs -- Astronomy

The Egyptian Alphabetical language is the MOTHER and origin of all languages; and how it was diffused to become other 'languages' throughout the world. This book will show how the Egyptians had various modes of writings for various purposes , and how the Egyptian modes were falsely designated as "separate languages" belonging to others. ;the falsehood of having different languages on the Rosetta (and numerous other like) Stone; evaluation of the "hieratic' and "demotic" forms of writing. The book will also highlight how the Egyptian Alphabetical language is the MOTHER and origin of all languages (as confirmed by all writers of antiquities); and how this one original language came to be called Greek, Hebrew, Arabic and other 'languages' throughout the world—through deterioration of sound values via 'sound shifts', as well as foreign degradation of the original Egyptian writing forms. The book is divided into seven parts with a total of 24 chapters, as follows: Part I. Denial, Distortion and Diversion has 3 chapters—Chapters 1 to 3: Chapter 1: The Archetypal Primacy of The Egyptian Alphabet will show the role and remote history of alphabetical letter-forms writing in Ancient Egypt prior to any other place on earth. Chapter 2: The Concealment of The Supreme Egyptian Alphabet will show the incredible western academia scheme to conceal the Ancient Egyptian alphabetical letter-forms from its prominent position in the history of writing. Chapter 3: The Diversion of A Proto-Sinaitic "Phoenician Connection" will uncover all the facts about having "Phoenicians" as the inventor of alphabets on an Egyptian soil! Part II. Formation and Forms of Egyptian Alphabetic Writings has 6 chapters—Chapters 4 to 9: Chapter 4: Genesis of Egyptian Alphabetic Letters/Writing will refute the unfounded obsession that alphabetical letter-forms were derived from pictures; and the differences between ideograms, signs and alphabetical writing. Chapter 5: The Egyptian Sound Organization of Letters will cover the primary three vowels as the originators of all vowel sounds and associated consonants. Chapter 6: The Egyptian Alphabetic Writing Styles will sort out present common confusion of Ancient Egyptian styles of writing and set the two primary styles as uncials and cursive. Chapter 7: The Profession of Egyptian Scribes will cover the range of Egyptian writings; the profession of scribes; writing surfaces & instruments; and documentations of official missions by Egyptian scribes. Chapter 8: Multiple Writing Forms of a Single Document will cover the commonality of have several styles of same language on a single document; and examples of multiple writing forms on Egyptian magical divination papyri as well as on Egyptian stelae. Chapter 9: Multiple Writing Forms of The Rosetta Stone will expose the total misrepresentation of the three Egyptian writing forms on the Rosetta Stone as incorrectly being Egyptian and "Greek"! Part III. How The One World Language Became The Many has five chapters—Chapters 10 to 14: Chapter 10: The Beacon of the Ancient World will cover Egyptian settlements throughout the world; Ancient Egypt and The Seven Seas; Ancient Egypt as the World economic engine; the dominant Egyptian language; and the Egyptian Mother language of all language families. Chapter 11: Common Characteristics of Ancient Egyptian Alphabetic Writing System will detail such characteristics. Chapter 12: Letter-forms Divergence of World Alphabets From Its Egyptian Origin will cover the apparent variations of alphabetical letter-forms in world alphabets from its Egyptian origin; as well as an overview of the archetypal 28 Egyptian alphabetical letter-forms and their divergence into other regions of the world. Chapter 13: Sound Divergence of World Alphabets From Its Egyptian Origin will cover the systematic sound variations; as well as causes and effects of sound divergence from its Egyptian origin into other world alphabets. Chapter 14: Cavalier Designations of New Languages will cover how a new language has been awarded as a symbol of identity for winners of wars and new religions; as well as how "new" languages were fabricated from Egyptian scripts. Part IV. The Primary Linguistic Characteristics of The Egyptian Language has one chapter—Chapter 15: Chapter 15: The Primary Linguistic Characteristics of The Egyptian Language will cover the four pillars of a language; as well as an overview of the Egyptian prototypal interconnected lexicon, grammar and syntax. Part V. Out of Egypt—Diffusion Patterns To Asia and Africa has 5 chapters—Chapters 16 to 20: Chapter 16: Hebrew and Moses of Egypt will show the Egyptian origin of Hebrew and the absence of any linguistic distinction between Hebrew and the Ancient Egyptian language. Chapter 17: The Ancient Egyptian Hegemony of Asiatic Neighbors will discuss the found scripts in North and South Arabia; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 18: The African Connections will discuss the history and details of the Ethiopic language(s) and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 19: From Egypt To India and Beyond will cover the two primary inscription styles in the Indian Sub-Continent; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 20: From Egypt to The Black Sea Basin [Georgia & Armenia] will cover affinities of languages from Central Asia To the Black Sea Basin; Ancient Egyptian settlements in the Black Sea Basin; Pre-existence of "Armenian/Georgian" alphabets in Ancient Egypt; and sameness of Ancient Egyptian alphabetical writing system in later "Georgian & Armenian Languages". Part VI. Out of Egypt—Diffusion Patterns To Europe has two chapters—Chapters 21 & 22: Chapter 21: Greek: A Shameless Linguistic Heist will cover role of Greeks in Ancient Egypt as hired security guards; pre-existence of the proclaimed "Greek" alphabetical letter-forms in the Ancient Egyptian system; robbing and postdating Egyptian scripts to rename them as "Greek"; and the absence of any linguistic distinction between Greek and the Ancient Egyptian language. Chapter 22: The European Languages will cover Etruscan, Latin and Hispanic languages; and the absence of any linguistic distinction between them and the Ancient Egyptian language. Part VII. The Ancient Future of The Universal Language has two chapters—Chapters 23 & 24: Chapter 23: Egyptian Alphabetical Vocalic Language [Past, Present & Future] will cover the state of the vocalic and written language in Egypt and the minor changes that occurred over thousands of years. Chapter 24: Renaissance & Seeking the Universal Language—The Ancient Future will cover an overview of the English language's inconsistent phonetic writing system; Renaissance search for a Universal Language; and how such a language, by all accounts is the [Ancient] Egyptian Language.

Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.

Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This Expanded Version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of The Spheres consists of four chapters—2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, 7 days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers,and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon, the three primary quantal vowels/sounds, and the triadic musical/linguistic core. Part III: The Musical Notes consists of two chapters—6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; and how the natural progression of the Perfect Fifth leads to the determination of the Egyptian musical measuring units. Chapter 7: The Musical Measuring Unit will cover how the Egyptian musical measuring units is the only measuring unit for all natural harmonic tones—east and west; its application to the twin-scale [authentic and plagal]; and its application to both the cyclic and divisive methods of instrument tuning. Part IV: The Egyptian Musical Composition Code consists of six chapters—8 through 13: Chapter 8: The Musical Framework Varieties will cover the overall tone system, an example of a scale based on the cyclic framework and another based on the divisive framework. Chapter 9: Modes and Musical Structural Forms will cover the musical ethos—moods and modes and the overall basic design characteristics of modes. Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; and the major parts of human's generating (vocal) sounds and its equivalent in the musical instruments. Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; significance of musicality in Ancient Egyptian literature; utilization of letters as musical notes; the modulation of individual sound values; and the intimate relationships between music pulsation and the rhythmic flow of syllables stream. Chapter 12: The Musical Performance will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances; as well as the varied methods for maintaining the rhythmic timing/tempo—including the use of syllables. Chapter 13: The Egyptian Tonal Writing System will cover the preeminence of Ancient Egyptian tonal writings; as well as the primary writing components of lyrical/musical texts. Part V: The Egyptian Musical Instruments consists of four chapters—14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments will cover various Ancient Egyptian stringed instruments such as lyres, tri-gonon (zither), Harps including playing techniques: Harps—Playing Techniques; The All-Encompassing Capacities of Ancient; string instruments with neck—such as short-neck Lute; the long-neck Egyptian guitars; and Bowed Instruments [Kamanga, Rababa]. Chapter 16: Wind Instruments will cover The end blown flute; transverse flute; pan flute; single reed pipe (clarinet); double Pipe; double clarinet; double oboe; arghool; others (bagpipe and organ); and horns/trumpets. Chapter 17: Percussion Instruments will cover the membrano-phone instruments such as drums and tambourines; and the non-membrano-phone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone and glockenspiel and human parts (hands, fingers, thighs, feet, etc.). Part VI: Maintaining The Heavenly Rhythms consists of four chapters—18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; the significance of alternating performance theme of balanced polarity; and the Dor-ian musical suites. Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives—from cradle to grave. Part VII: Postlude consists of one chapter—22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.

A short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. This book is intended to provide a short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. The book covers matters such as self empowerment, improvements to present political, social, economical and environmental issues, recognition and implementations of harmonic principles in our works and actions, etc. Topics presented cover: - Our place in the universe and its operational system. - Understanding oneself and how to sort out each's internal energies to live happy and healthy. - Problems and old [Egyptian] remedies of political, social and economical conditions. - How to achieve peaceful coexistence between peoples, land and natural resources; which also deal with having a clean environment. - Understanding and implementing harmonic principles into building construction. - Appreciation of art, its functions and applications in harmonic fashion. - The timeless nature of the Ancient Egyptian civilization.