Have you met EGBDF The Musical Yak? His name is said "Ee-Guh-Buh-Dif", and he's excited to take you on an adventure to Musical Land, where you'll get to see his friends and home! Katie Terrell Ramos created this book to help new musicians learn the lines on the Treble Clef Staff with a snappy jingle. EGBDF is sure his tune will be unforgettable by the time you finish this fun tale! So come along and bring your voice on this hand-carved adventure of Musical Land! Check out Katie's website for videos and more! www.katieterrellramos.com

Little Worm finds a song stuck in his head--and learns that his friends all have songs of their own to listen to.

A comprehensive overview of the origin of the world's best-known musical instruments, presenting many fascinating facts along the way. Niccolo the cricket would like to become a musician. But which instrument should he start with? The violin? The guitar? The trumpet? All at once? Well, he does have six limbs, so why not? In any case, Niccolo and his trusty companion Luciano the nightingale travel the world as they learn about musical instruments of all kinds, from simple drums to the most sophisticated church organs. Do you know what didgeridoo, shamisen, or vozembouch are? Would you rather become a member of symphony orchestra or a rock band? Let ́s find out! If you are interested in music at least a little, join Niccolo and Luciano and learn the stories of musical instruments along with them.

Grade level: 1, 2, 3, 4, 5, 6, 7, k, e, p, i, t.

"Ever wished you could speak Moo? ell, look no further: Learn the high moo nd the loo moo, he bumpy moo and he jumpy moo iscover how your moo sounds in a tunnel or through a funnel

The legendary 1964 Broadway run of Hamlet directed by John Gielgud is one of the most famous productions of Shakespeare’s most important play. Audacious for its time in concept and execution, it placed the actors in everyday clothes within an unassuming “rehearsal” set, with the Ghost of Hamlet’s father projected as a shadow against the rear wall and voiced by the director himself. It was also a runaway critical and financial success, breaking the then-record for most performances of a Broadway show. This was in no small part due to the starring role played by Richard Burton, whose romance with Elizabeth Taylor was the object of widespread fascination. Present throughout, and ever attentive to the backstage drama and towering egos on display, was the actor William Redfield, who played Guildenstern. During the three months of the play’s preparation, from rehearsals through out-of-town tryouts to the gala opening night on Broadway, Redfield wrote a series of letters describing the daily happenings and his impressions of them. In 1967, they were in 1967 collected into Letters from an Actor, a brilliant and unusual book that has since become a classic behind-the-scenes account that remains an indispensable contribution to theatrical history and lore. This new edition at last brings Redfield’s classic back into print, as The Motive and the Cue—the Sam Mendes-directed play about the Gielgud production that is based in part on the book—continues its successful run in London’s West End.