Effervescent Adventures with Britannia is the latest addition to Wm Roger Louis's stimulating and acclaimed series, Adventures with Britannia. It draws upon a distinguished array of writers and scholars - historians, political scientists, journalists, novelists, biographers and English literature specialists - to guide the reader through a fascinating labyrinth of British culture, history and politics. Together, they provide a unique insight into the pivotal themes - political, literary and cultural - which have shaped British state and society. The subjects covered include a new analysis of Jack the Ripper by Richard Davenport-Hines, a new appraisal of Harold Nicholson and Royal Biography by Jane Ridley and a new account of Evelyn Waugh in North America by Martin Stannard. In literature, Patrick French writes on V.S. Naipul; in history Andrew Lownie offers new perspectives on Guy Burgess and in politics Kenneth O. Morgan considers what will become of Britain after Brexit. Collectively, the chapters combine a rich mix of original ideas, historical and literary allusion, personality and anecdote, to provide an intellectual adventure into the mainsprings of modern British and international society.

A history of the IDF that argues that Israel is a nation formed by its army. The Israeli army, officially named the Israel Defence Forces (IDF), was established in 1948 by David Ben-Gurion, Israel's first prime minister, who believed that 'the whole nation is the army'. In his mind, the IDF was to be an army like no other. It was the instrument that might transform a diverse population into a new people. Since the foundation of Israel, therefore, the IDF has been the largest, richest and most influential institution in Israel's Jewish society and is the nursery of its social, economic and political ruling class. In this fascinating history, Bresheeth charts the evolution of the IDF from the Nakba to the continued assaults upon Gaza, and shows that the state of Israel has been formed out of its wars. He also gives an account of his own experiences as a young conscript during the 1967 war. He argues that the army is embedded in all aspects of daily life and identity. And that we should not merely see it as a fighting force enjoying an international reputation, but as the central ideological, political and financial institution of Israeli society. As a consequence, we have to reconsider our assumptions on what any kind of peace might look like.

Amateur Media and Participatory Cultures aims to delineate the boundary line between today’s amateur media practice and the canons of professional media and film practice. Identifying various feasible interpretative frameworks, from historical to anthropological perspectives, the volume proposes a critical language able to cope with amateur and new media’s rapid technological and interpretative developments. Conscious of the fact that amateur media continue to be seen as the benchmark of visual records of authentic rather than mass-media-derived events, Annamaria Motrescu-Mayes and Susan Aasman pay particular attention to the ways in which diverse sets of concepts of amateur media have now merged across global visual narratives and everyday communication protocols. Building on key research questions and content analysis in media and communication studies, they have assessed differences between professional and amateur media productions based on the ways in which the ‘originators’ of an image have been influenced by, or have challenged, their context of production. This proposes that technical skills, degrees of staging and/or censoring visual information, and patterns in media socialisation define central differences between professional and amateur media production, distribution and consumption. The book’s methodical and interdisciplinary approach provides valuable insights into the ways in which visual priming, cultural experiences and memory-building are currently shaped, stored and redistributed across new media technologies and visual channels.

Effervescent Adventures with Britannia is the latest addition to Wm Roger Louis's stimulating and acclaimed series, Adventures with Britannia. It draws upon a distinguished array of writers and scholars - historians, political scientists, journalists, novelists, biographers and English literature specialists - to guide the reader through a fascinating labyrinth of British culture, history and politics. Together, they provide a unique insight into the pivotal themes - political, literary and cultural - which have shaped British state and society. The subjects covered include a new analysis of Jack the Ripper by Richard Davenport-Hines, a new appraisal of Harold Nicholson and Royal Biography by Jane Ridley and a new account of Evelyn Waugh in North America by Martin Stannard. In literature, Patrick French writes on V.S. Naipul; in history Andrew Lownie offers new perspectives on Guy Burgess and in politics Kenneth O. Morgan considers what will become of Britain after Brexit. Collectively, the chapters combine a rich mix of original ideas, historical and literary allusion, personality and anecdote, to provide an intellectual adventure into the mainsprings of modern British and international society.

When Sunday Times fashion journalist Brigid Keenan married the love of her life in the late Sixties, little idea did she have of the rollercoaster journey they would make around the world together - with most things going horribly awry while being obliged to keep the straightest face and put their best feet forward. For he was a diplomat - and Brigid found herself the smiling face of the European Union in locales ranging from Kazakhstan to Trinidad. Finding herself miserable for the first time in a career into which many would have long ago thrown the towel, she found herself asking (during a farewell party for the Papal Nuncio): was it worth it? As this stream of it-really-happened-to-me stories shows, it most certainly was - if only for our vicarious bewilderment at how exactly you throw a buffet dinner during a public mourning period in Syria, remain viable as a fashion journalist when taste-wise you are three seasons out of it and geographically a world away, make people believe that there are actually terrible things going on in paradise, be a good mother and save some of the finest architecture in Damascus and Brussels from demolition - seemingly all simultaneously.

A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.