This source book for recreating the style and decor of the Georgian period, covers all aspects of internal and external plan and design, including gardens. It also provides information on how to restore, replace and care for period features.

For several years this has been the standard text on nineteenth-century British furniture, which continues to be the focus of an extraordinary growth of interest in the United States and throughout Europe.This exhaustive survey of a rich and rewarding chapter in the history of the decorative arts contains an astonishing range of photographs and drawings: more than six hundred illustrations, many of them in color, offer a uniquely comprehensive look at nineteenth-century furniture from the Gothic Revival to Art Nouveau. Every major designer is represented, including William Morris, Charles Rennie Mackintosh, Christopher Dresser, and the choice of pictures includes a wealth of little-known furniture from private collections, much of which has never before been illustrated.A cheerful text enhanced by lavish picture layouts. -- The New York Times

Illustrates how Edwardian houses were built, how they were used, and what they meant at the time.

Second edition of The Pocket Guide to Edwardian England, newly revised and expanded. The Edwardian Era simplified, organized, and easy to reference. Aimed towards writers of historical fiction, though genealogists, Downton Abbey fans, and the curious alike will find this an excellent starting point for their own research. Compiled from lectures and blog posts on Edwardian Promenade, as well as 70% more original content, Edwardian England: A Guide to Everyday Life, 1900-1914 poses to give a entry level, but thorough look at the time period made popular by Downton Abbey and Mr. Selfridge.

This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.

Descriptive notes and a discussion of stylistic influences augment one hundred thirty-one rare photographs portraying the interiors of New York City homes, businesses, and public places between 1893 and 1916