Offering the first book-length consideration of Edward Upward (1903-2009), one of the major British left-wing writers, this collection positions his life and works in the changing artistic, social and political contexts of the twentieth and early twenty-first centuries. Upward’s fiction and non-fiction, from the 1920s onwards, illustrate the thematic and formal richness of left-wing writing during the twentieth-century age of extremes. At the same time, Upward’s work shows the inherent tensions of a life committed at once to writing and to politics. The full range of Upward’s work and a wealth of unpublished materials are examined, including his early fantastic stories of the 1920s, his Marxist fiction of the 1930s, the extraordinary semi-autobiographical trilogy The Spiral Ascent and his formally and thematically innovative later stories. The essays collected here reevaluate Upward’s central place in twentieth-century British literary culture and assess his legacy for the twenty-first century.

The rector, Casmir Welken, resembles a 'diseased goat' and breeds angels in the church belfry; his sidekick Ronald Gunball is a dipsomaniac and an unashamed vulgarian; Sergeant Claptree, assisted by Ensign Battersea, keeps the Skull and Trumpet Inn; the mannish Miss Belmare, domineering and well starched, is sister to the squire, and Gustave Shreeve is headmaster of Frisbald College for boys.

Edward Upward's acclaimed and partly autobiographical novel was originally published by Leonard and Virginia Woolf at the Hogarth Press in 1938. It relates the growing disillusionment of a politically-committed tutor who is attached to the household of a philistine and reactionary country gentleman. His revulsion at the behaviour of his employers and their friends leads him to the brink of madness, from which he is saved only by his resolve to contribute to the movement for social revolution.

The novelist and short story writer Edward Upward (1903-2009) is famous for being the unknown member of the W. H. Auden circle, though he was revered by his peers - Auden, Day Lewis, Isherwood and Spender - for his intellect, high literary gifts and unswerving political commitment. His lifelong friendship with Christopher Isherwood was forged at school and university, with each regarding the other as the first reader of his work. At Cambridge they invented the bizarre village of Mortmere, which with its combination of reality and fantasy had an important role in shaping the dominant British literary culture of the 1930s.

'It is not a recognized mental illness like agoraphobia or depression ... It's largely a matter of luck whether one suffers from border syndrome: it depends where you were born. I was born in Albania.' After spending his childhood and school years in Albania, imagining that the miniskirts and quiz shows of Italian state TV were the reality of life in the West, and fantasizing accordingly about living on the other side of the border, the death of Hoxha at last enables Gazmend Kapllani to make his escape. However, on arriving in the Promised Land, he finds neither lots of willing leggy lovelies nor a warm welcome from his long-lost Greek cousins. Instead, he gets banged up in a detention centre in a small border town. As Gazi and his fellow immigrants try to find jobs, they begin to plan their future lives in Greece, imagining riches and successes which always remain just beyond their grasp. The sheer absurdity of both their plans and their new lives is overwhelming. Both detached and involved, ironic and emotional, Kapllani interweaves the story of his experience with meditations upon 'border syndrome' - a mental state, as much as a geographical experience - to create a brilliantly observed, amusing and perceptive debut.