As a child he was given his own suit of armor; at the age of sixteen, he helped defeat the French at Crécy. At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause. He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived?

On 13 September 1356 near Poitiers in western France, the small English army of Edward, the Black Prince crushed the forces of the French King Jean II in of the most famous battles of the Hundred Years' War. Over the centuries the story of this against-the-odds English victory has, along with Crécy and Agincourt, become part of the legend of medieval warfare. And yet in recent times this classic battle has received less attention than the other celebrated battles of the period. The time is ripe for a reassessment, and this is the aim of Christian Teutsch's thought-provoking new account.

Edward III lived through bloody and turbulent times. His father was deposed by his mother and her lover when he was still a teenager; a third of England's population was killed by the Black Death midway through his reign; and the intractable Hundred Years War with France began under his leadership. Yet Edward managed to rule England for fifty years, and was viewed as a paragon of kingship in the eyes of both his contemporaries and later generations. Venerated as the victor of Sluys and Crécy and the founder of the Order of the Garter, he was regarded with awe even by his enemies. But he lived too long, and was ultimately condemned to see thirty years of conquests reversed in less than five. In this gripping new account of Edward III's rise and fall, Jonathan Sumption introduces us to a fêted king who ended his life a heroic failure.

‘I’m working on a novel intended to express the feel of England in Edward III’s time ... The fourteenth century of my novel will be mainly evoked in terms of smell and visceral feelings, and it will carry an undertone of general disgust rather than hey-nonny nostalgia’ – Anthony Burgess, 1973 The Black Prince is a brutal historical tale of chivalry, religious belief, obsession, siege and bloody warfare. From disorientating depictions of medieval battles to court intrigues and betrayals, the campaigns of Edward, the Black Prince, are brought to vivid life. This rambunctious book, based on a completed screenplay by Anthony Burgess, showcases Adam Roberts in complete control of the novel as a way of making us look at history with fresh eyes, all while staying true to the linguistic pyrotechnics and narrative verve of Burgess’s best work.

The story of the beautiful wife of the Black Prince and mother of Richard II.

The dramatic life and mysterious death of the reviled Edward II, focusing on the vivid personality of the erratic and contradictory king, his unorthodox lifestyle and his passionate relationships with his male favourites, including Piers Gaveston