Artist Eduardo Paolozzi (1924-2005) was a unique cultural figure. His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This illustrated book provides a comprehensive overview of the career of a major, prolific and complex artist, exploring Paolozzi's work from all periods and across all media: collage, sculpture, printmaking, ceramics, tapestry, and film.

Eduardo Paolozzi (1924-2005) was one of the most innovative and irreverent British artists of the 20th century. Considered the 'godfather' of Pop Art', his powerful sculptures, prints and collages challenged mid-century British modernism by drawing on mass culture, science fiction and industrial design. Accompanying the first major international retrospective of Paolozzi's work since 1975, this publication presents a fresh and comprehensive overview of his work, highlighting not only his unique position as one of Britain's most dynamic, versatile and pugilistic artists, but also the relevance of his work today.

In 1954 artists Nigel Henderson and Eduardo Paolozzi formed a creative partnership under the company name of Hammer Prints Limited. Over the course of the next seven years, the two artists established a commercial venture, collaboratively designing patterns and working with industry specialists to produce wallpapers, fabrics, ceramic tiles, furniture and tableware using their designs.This new book is published by firstsite on the occasion of the exhibition Nigel Henderson & Eduardo Paolozzi: Hammer Prints Limited (8 December 2012 – 3 March 2013). Based on original research, the exhibition charts the history of Hammer Prints within the context of their broader artistic output and other collaborations such as the exhibitions, Parallel of Life and Art (Institute of Contemporary Arts, London, 1953) and This is Tomorrow (Whitechapel Art Gallery, London, 1956).The publication documents original exhibition research, features contributions from leading experts including firstsite curator Michelle Cotton, Eduardo Paolozzi's biographer Robin Spencer, design historian Lesley Jackson, and includes full colour reproductions of the Hammer designs and artwork alongside hitherto unseen working material.

A major retrospective of the work of Eduardo Paolozzi (1924-2005), one of the most inventive and prolific of the British artists to come to prominence after the Second World War. Featuring around 150 works in a variety of media, the exhibition will explore the extraordinary versatility of Paolozzi's approach to making art and the central importance of collage as a working process within his career, not only in the traditional sense of paper collage, but also in terms of sculptural assemblage, printmaking and filmmaking

This book sheds new light on the creative processes behind the work of Eduardo Paolozzi and Philip Guston. In examining the artists' processes as play, the volume demonstrates how an artist's work lies beyond defined art movements.