Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century--the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era--among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider--a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.

A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology. Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.

Edna Ferber’s Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America’s most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood’s interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber’s Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood’s Ferber franchise. Smyth tracks Ferber’s working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant’s critique of Jim-Crow Texas. But Edna Ferber’s Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber’s work helped shape Hollywood’s attitude toward the American past.

So Big is a 1924 novel written by Edna Ferber. The book was inspired by the life of Antje Paarlberg in the Dutch community of South Holland, Illinois, a Chicago suburb. It won the Pulitzer Prize for the Novel in 1925. The story follows the life of a young woman, Selina Peake De Jong, who decides to be a school teacher in farming country. During her stay on the Pool family farm, she encourages the young Roelf Pool to follow his interests, which include art. Upon his mother's death, Roelf runs away to France. Meanwhile, Selina marries a Dutch farmer named Pervus. They have a child together, Dirk, whom she nicknames "So Big," from the common question and answer "How big is baby? " "So-o-o-o big!". Pervus becomes ill and dies, and Selina is forced to take over working on the farm to give Dirk a future. As Dirk gets older, he works as an architect but is more interested in making money than creating buildings and becomes a stock broker, much to his mother's disappointment. His love interest, Dallas O'Mara, an acclaimed artist, echoes this sentiment by trying to convince Dirk that there is more to life than money. Much later in life, Selina is visited by Roelf Pool, who has since become a famous sculptor. Dirk grows very distressed when, after visiting his mother's farm, he realizes that Dallas and Roelf love each other and he cannot compete with the artistically minded sculptor. In the end, Dirk comes to appreciate the wisdom of his mother, who always valued aesthetics and beauty even as she scraped out a living in a stern Dutch community. Ultimately, Dirk is left alone in his sumptuous apartment, saddened by his abandonment of artistic values.

Depicts the fears, setbacks and daily struggles of aspiring young actors and actresses, and, for the very few, stardom and success.

Originally published in 1958, Ice Palace is Pulitzer Prize winner Edna Ferber's classic and mighty novel about the taming of a great northern wilderness—Alaska. Czar Kennedy came to Alaska for money and power, Thor Storm for a dream. This is the story of their struggle, over a long half-century, for the future of Alaska and the destiny of their beautiful, rebellious granddaughter, Christine, a courageous woman who must make a choice that will shape the destiny of a new generation. Above all, it is the glowing and eloquent tale of Alaska itself—the last, great American frontier.