A selection of papers from the 13th Viking Congress focusing on the northern, central, and eastern regions of Anglo-Saxon England colonised by invading Danish armies in the late 9th century, known as the Danelaw. This volume contributes to many of the unresolved scholarly debates surrounding the concept, and extent of the Danelaw.

Impressive in size, scope and detail unparalleled in the market, the 2020 Standard Catalog of World Coins, 1901-2000, provides the most compelling and complete catalog to 20th Century coins in the world. You've come to rely on this mammoth reference for the most up-to-date pricing and coin detail, as well as the most complete and insightful review of available and collectable world coins. A worldwide network of 120 experts continues to uncover collector coin issues never before published. For the collector or researcher attempting to identify world coins, this is the perfect single source. Inside this one-of-a-kind catalog, you'll find: • One million accurate coin prices--empowering you to make informed buying or selling decisions. • MS65 and PR65 values for much of the catalog • Detailed coin information unmatched in the hobby, making identification a snap • 60,000+ images, making the catalog the most visual reference on the market • Globally accepted KM reference numbers key to identification What's more, coins struck in gold, platinum and silver are detailed with: • Total coin weight • Fineness • Actual precious metal weight

What can one discover through the study of medieval Islamic coins? It appears that the regular gold dinars and silver dirhams issued by the Ikhshidid rulers of Egypt and Palestine (935-69) followed a series of understood but unwritten rules. As the first part of this book reveals, these norms involved whose names could appear on the regular currency, where the names could be placed (based upon a strict hierarchical order), and even which parts of a Muslim name could be included. The founder of the dynasty, Muhammad ibn Tughj, could use the honorific al-Ikhshid; his eldest son and successor could use his teknonym Abu al-Qasim; his brother, the third ruler, could use only his name Ali; and the eunuch Kafur, effective ruler of Egypt for over twenty years, could never inscribe his name on the regular coinage. At the same time, each one of these rulers was named in the Friday sermon and most had their teknonym inscribed on textiles. Presentation coins, the equivalent of modern commemorative pieces, could break all these rules, and a wide variety of titles appeared, as well as a series of coins with human representation. The second half of the book is a catalogue of over 1,200 specimens, enabling curators, collectors, and dealers to identify coins in their own collections and their relative rarity. Throughout the book numismatic pieces are illustrated, along with commentary on their inscriptions, layout, and metallic content.

This themed volume contains 28 papers by leading authorities on numismatics and monetary history. It covers a variety of topics concerning the design, use and circulation of coinage in northern Europe in the late fifth to early thirteenth centuries.

A definitive study of coin production in medieval England, tracing the development, significance and wider context of mints and money.

This series is home to scholarship of the highest order covering a wide range of themes: from politics and warfare to administration, justice and society. The topics of the papers in this book range from the sublime to the macabre: romance, rape, money, politics and religion. Wide-ranging papers cover many themes: the role of knights in the civil war at the end of John's reign, the politics of Ireland at the time of Richard Marshal's rebellion, the crusading context of the de Montfort family, the Petition of the Barons of 1258, and the government of England during Edward I's absence on crusade form one group of papers which illuminate the politics of the period. The history of the Jews in their final days in England is examined, as are the techniques used to supply Edward I's armies. Legal matters are considered, with papers on manorial courts, capital punishment, and the offence of rape. Romance is treated in a historical context with Edward I's marriage plans of 1294. Also included is discussion of the dissemination of the Sarum rite, the building of Westminster Abbey, ecclesiastical mints, and Matthew Paris's maps. Contributors: MARTIN ALLEN, DAVID CARPENTER, DAVIDCROOK, KATHERINE FAULKNER, PETER EDBURY, PAUL HARVEY, RICHARD HUSCROFT, NIGEL MORGAN, MARK ORMROD, ZEFIRA ROKEAH, CORINNE SAUNDERS, BRENDAN SMITH, KATHERINE STOCKS, HENRY SUMMERSON, MARK VAUGHN.

The invention of coinage in ancient Greece provided an arena in which rival political groups struggled to imprint their views on the world. Here Leslie Kurke analyzes the ideological functions of Greek coinage as one of a number of symbolic practices that arise for the first time in the archaic period. By linking the imagery of metals and coinage to stories about oracles, prostitutes, Eastern tyrants, counterfeiting, retail trade, and games, she traces the rising egalitarian ideology of the polis, as well as the ongoing resistance of an elitist tradition to that development. The argument thus aims to contribute to a Greek "history of ideologies," to chart the ways ideological contestation works through concrete discourses and practices long before the emergence of explicit political theory. To an elitist sensibility, the use of almost pure silver stamped with the state's emblem was a suspicious alternative to the para-political order of gift exchange. It ultimately represented the undesirable encroachment of the public sphere of the egalitarian polis. Kurke re-creates a "language of metals" by analyzing the stories and practices associated with coinage in texts ranging from Herodotus and archaic poetry to Aristotle and Attic inscriptions. She shows that a wide variety of imagery and terms fall into two opposing symbolic domains: the city, representing egalitarian order, and the elite symposium, a kind of anti-city. Exploring the tensions between these domains, Kurke excavates a neglected portion of the Greek cultural "imaginary" in all its specificity and strangeness.