Linda Goyette and Carolina Roemmich have tapped Edmonton's collective memoir, through the written record, the spoken stories and the vast silences. All of the people who ever lived at this bend in the North Saskatchewan took part in creating the city we know as Edmonton. Through traditional Indigenous stories about the earliest travellers along the bend in the river, diaries, archival records and letters of 19th century inhabitants and the recollections of living residents who talk about the emerging city, Edmonton's history is told using the words and stories of the people who have called this city home. Citizens with diverse viewpoints speak for themselves, describing important events in Edmonton's social, political and economic development. The official publication of the City of Edmonton's Centennial, Edmonton In Our Own Words includes many never seen before photographs from private collections, historic maps and a timeline of Edmonton's history. Imagine a conversation between Edmonton's past inhabitants and its living citizens. What would we tell the rest of the world about our place on the map? What stories would we tell with tears in our eyes, or laughter, or pride? In Edmonton In Our Own Words, experience the personal stories of eyewitnesses and descendants explaining, arguing, crying, scolding, laughing and interrupting one another in a city's evolving conversation with itself as Edmonton celebrates its past and future.

Winner of the 2002 National Choral Award for Outstanding Choral Publication They are at the heart of every community in Canada, whether they be singing in concert or rehearsal, in a worship service or at a special event. They are Canada’s choirs, and their dedication to their craft is a source of both entertainment and inspiration. And at the heart of every choir, there is a choir master who, through talent and commitment, brings the voices together. In Their Own Words relates the stories of Canada’s most distinguished and innovative choir masters. In their own words, each tells of their life in music, and shares their thoughts on music and the role of the choir. Many of those profiled have gained international recognition, winning prizes overseas. All have helped to bring the vocal heart-pourings of enthusiastic singers to audiences across the country.

"The contribution made by the Edmonton libraries to the sanity and support of the citizens cannot be estimated. No Annual Report can gauge things of this sort." -Annual Report of the Edmonton Public Library, 1931 The Edmonton Public Library turns 100 in 2013! Novelist, journalist, and Edmontonian Todd Babiak tells the story of EPL's birth and coming of age within the bustling narrative of the growth of city and province. Rich with anecdotes and historical photos, records of personal conversations, and tales of expeditions to branch libraries, Just Getting Started immerses readers in a personal journey to the heart of culture in one of Canada's biggest cities. Babiak's history is one-of-a-kind; it reads like a novel, mirroring the institution it commemorates. Edmontonians, librarians, politicians, and historians may glimpse themselves within these pages; all will see how vital a successful public library is to reflecting the needs and aims of a diverse population.

The Black Prairie Archives: An Anthology recovers a new regional archive of “black prairie” literature, and includes writing that ranges from work by nineteenth-century black fur traders and pioneers, all of it published here for the first time, to contemporary writing of the twenty-first century. This anthology establishes a new black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as black writers or as “prairie” people. Their letters, recipes, oral literature, autobiographies, rap, and poetry- provide vivid glimpses into the reality of their lived experiences and give meaning to them. The book includes introductory notes for each writer in non-specialist language, and notes to assist readers in their engagement with the literature. This archive and its supporting text offer new scholarly and pedagogical possibilities by expanding the nation’s and the region’s archives. They enrich our understanding of black Canada by bringing to light the prairies' black histories, cultures, and presences.

Pilgrimage opens in the deep winter of 1891 on the Métis and missionary settlement of Lac St. Anne, Canada. A young woman of mixed-blood named Mahkesîs is carrying the child of the married Englishman who manages the Hudson Bay Company trading post. She is forced to reveal her devastating secret to her Cree grandmother. As an unmarried Catholic girl, Mahkesîs waits for a miracle in the very place others come for redemption. Set in a northern landscape, Pilgrimage is a brilliant debut novel about love and loss and women and men trying to survive the violent intimacy of a small place in a changing colonial empire.

Western Canada’s natural environment faces intensifying threats from industrialization in agriculture and resource development, social and cultural complicity in these destructive practices, and most recently the negative effects of global climate change. The complex nature of the problems being addressed calls for productive interdisciplinary solutions. In this book, arts and humanities scholars and literary and visual artists tackle these pressing environmental issues in provocative and transformative ways. Their commitment to environmental causes emerges through the fields of environmental history, environmental and ecocriticism, ecofeminism, ecoart, ecopoetry, and environmental journalism. This indispensable and timely resource constitutes a sustained cross-pollinating conversation across the environmental humanities about forms of representation and activism that enable ecological knowledge and ethical action on behalf of Western Canadian environments, yet have global reach. Among the developments in the contributors’ construction of environmental knowledge are a focus on the power of sentiment in linking people to the fate of nature, and the need to decolonize social and environmental relations and assumptions in the West.

When the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the production, circulation, and consumption of art in Canada throughout the twentieth century. Initially dependent on paintings loaned from the National Gallery of Canada, art galleries across the western part of the country gradually built their own collections and exhibitions and formed organizations that made them less reliant on institutions and government agencies in Ottawa. Tracing the impact of major national arts initiatives such as the Massey Commission, the funding programs of the Canada Council, and the policies of the National Museums Corporation, Whitelaw sheds light on the complex relationships between western Canada and Ottawa surrounding art. Building on extensive archival research and in-depth analysis of government involvement, Spaces and Places for Art is an invaluable explanation of the roles of cultural institutions and cultural policy in the emergence of artistic practice in Canada.