"A strong new entry for the reference shelf of anyone who writes to be understood—or would like to."—Pittsburgh Press In the first part of this useful book, the author shows how to solve common problems of writing. The reader will learn how to recognize common problems of writing. The reader will learn how to recognize words and phrases that should be cut; how to shorten cumbersome sentences; how to arrange the elements of pairs, series, and compound subjects and predicates; how to recognize and rectify mismanaged participles; and how to be on the lookout for the better word. The second part of the book consists of more than 1500 recommendations for cuts, changes, and comparisons that editors make to produce writing that is concise and effective.

The essential guide to writing succinctly. Who doesn’t hate wading through wordy paragraphs? Unfortunately, many writers don’t realize when they are padding their sentences and obscuring their meaning. Enter To the Point, the essential guide to writing succinctly. Featuring hundreds of new entries, this freshly updated edition is complete with: • A guide to the basics of writing concisely, including how to reduce the number of words in a phrase, substitute a single word for a phrase, and delete extraneous words and phrases. • The "Dictionary of Concise Writing," which gives concise alternatives to thousands of wordy phrases. Language expert Robert Hartwell Fiske uses each wordy phrase in a sentence and then rewrites or deletes the phrase entirely to show how the sentence can be improved. • The brand new "Guide to Obfuscation: A Reverse Dictionary," which helps writers build a more pithy vocabulary. To the Point is the perfect reference book for anyone who wants to communicate more effectively through clear and beautiful writing.

The nation's premier communications expert shares his wisdom on how the words we choose can change the course of business, of politics, and of life in this country In Words That Work, Luntz offers a behind-the-scenes look at how the tactical use of words and phrases affects what we buy, who we vote for, and even what we believe in. With chapters like "The Ten Rules of Successful Communication" and "The 21 Words and Phrases for the 21st Century," he examines how choosing the right words is essential. Nobody is in a better position to explain than Frank Luntz: He has used his knowledge of words to help more than two dozen Fortune 500 companies grow. Hell tell us why Rupert Murdoch's six-billion-dollar decision to buy DirectTV was smart because satellite was more cutting edge than "digital cable," and why pharmaceutical companies transitioned their message from "treatment" to "prevention" and "wellness." If you ever wanted to learn how to talk your way out of a traffic ticket or talk your way into a raise, this book's for you.

Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.

The bestseller that pioneered the comparison of qualitative, quantitative, and mixed methods research design continues in its Fourth Edition to help students and researchers prepare their plan or proposal for a scholarly journal article, dissertation or thesis.

Think you have a way with words? Whether you're a student or a teacher, an assistant or a business executive, even a writer or an editor, most likely your writing can be enhanced and improved. Enter Edit Yourself, Bruce Ross-Larson's clear-cut, concise guide to grammar and the written word. In Part 1, he puts you at the editor's desk, revealing the most common cuts, changes, and comparisons made for clearer, crisper, and more effective sentences. Train your eye to spot errors; be on the lookout for the better word, and more. Part 2 ties it all together with more than 1,500 alphabetized recommendations, providing simple and straightforward ways to improve your writing. - Jacket flap.