12 writers from Washington and Oregon write about their relationship to the place they call home.

"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary stream. A variety of cultural viewpoints have developed, along with new tactics for literary study. New authors have risen to prominence, and the range of subjects has changed and widened. Updating the Literary West looks at topics ranging from western classics to cowboys and Cadillacs and considers children's literature, ethnicity, environmental writing, gender issues and other topics in which change has been rapid since publication of LHAW. This volume again affirms the West's literary legitimacy--status hard earned by the Western Literary Association--and the lasting place of popular western writing as part of the growing and changing literary--and American--experience. An excellent reference for a wide range of readers and an invaluable resource for scholars and libraries. Selected list of contributors: James Maguire Fred Erisman Susan J. Rosowski Gerald Haslam Tom Pilkington A. Carl Bredahl Richard Slotkin John G. Cawelti Robert F. Gish Ann Ronald Mick McAllister

Spanning two decades, this frank, witty, and provocative volume—part essay collection, part diary—charts a course through the Pacific Northwest, American history, and current events as witnessed by “one of our most gifted observers” (Newsday). For more than thirty years, Jonathan Raban has written with infectious fascination about people and places in transition or on the margins, about journeys undertaken and destinations never quite reached, and, as an Englishman transplanted in Seattle, about what it means to feel rooted in America. Stops en route include a Missoula bar, a Tea Party convention in Nashville hosted by Sarah Palin, the Mississippi in full flood, a trip to Hawaii with his daughter, a steelhead river in the Cascades, and the hidden corners of his adopted hometown, Seattle. He deftly explores public and personal spaces, poetry and politics, geography and catastrophe, art and economy, and the shifts in various arenas that define our society. Whether the topic is Robert Lowell or Barack Obama, or how various painters, explorers, and homesteaders have engaged with our mythical and actual landscape, he has an outsider’s eye for the absurd, and his tone is intimate, never nostalgic, and always fresh. Driving Home is irresistibly insightful about America’s character, contradictions, and idiosyncrasies.

A collection of critical essays on the writing and films of American Indian author Sherman Alexie.

Gripping accounts of all known fatal mishaps in the most famous of the World's Natural Wonders.

"Fifty years ago, the Third World Women’s Alliance passionately insisted on interconnections among racism, sexism, and capitalism, inspiring radical analytical frameworks and organizing strategies associated with contemporary conceptions of feminism. We are deeply indebted to Patricia Romney for helping to generate a record of the Alliance’s pioneering contributions and thus for ensuring that their revolutionary legacies live on." —Angela Y. Davis, author of Freedom Is a Constant Struggle From 1970 to 1980, the Third World Women’s Alliance lived the dream of third world feminism. The small bicoastal organization was one of the earliest groups advocating for what came to be known as intersectional activism, arguing that women of color faced a “triple jeopardy” of race, gender, and class oppression. Rooted in the Black civil rights move­ment, the TWWA pushed the women’s movement to address issues such as sterilization abuse, infant mortality, welfare, and wage exploitation, and challenged third world activist organizations to address sexism in their ranks. Widely recognized as the era’s pri­mary voice for women of color, this alliance across ethnic and racial identities was unique then and now. Interweaving oral history, scholarly and archival research, and first-person memoir, We Were There documents how the TWWA shaped and defined second wave feminism. Highlight­ing the essential contributions of women of color to the justice move­ments of the 1970s, this historical resource will inspire activists today and tomorrow, reminding a new generation that solidarity is the only way forward.

"This book is beautiful, brave, and important." -- Sy Montgomery In Wild Chorus, award-winning author Brenda Peterson draws on her lifelong relationship with animals to explore the wisdom we humans can glean from them. Looking beyond the companionship we enjoy with domesticated animals, Peterson explores how wild animals can become our guides and fellow travelers, helping us navigate the stresses of daily life and a rapidly changing planet. From beluga whales to wolves, raccoons to bears, elk to herons, the stories in this collection offer insights into the intricacies of animals’ intuitive communication, compassionate attention, and peaceful adaptation. Featuring vivid, visionary stories, Wild Chorus reveals a world filled with inspiring lessons of kinship, connection, and living in the present. Join Peterson on an incredible journey as she speaks for animals as both an artist and an activist to discover the power of learning from the natural world.