Philadelphia, 1844: As violent tensions escalate between nativists and recent Irish immigrants, Edgar Allan Poe’s fears for the safety of his wife, Virginia, and mother-in-law, Muddy, are compounded when he receives a parcel of mummified bird parts. Has his nemesis returned to settle an old score? Just as odd is the arrival of Helena Loddiges, a young heiress who demands Poe’s help to discover why her lover died at the city’s docks on his return from an expedition to Peru. Poe is skeptical of her claims of having received messages from birds—and visitations from her lover’s ghost—but when Miss Loddiges is kidnapped, he and his friend C. Auguste Dupin must unravel a mystery involving old enemies, lost soul-mates, ornithomancy, and the legendary jewel of Peru.

A thrilling historical mystery about mesmerism and magic, the shadows of the past, and the endurance of love—the third novel in the author’s acclaimed Poe and Dupin series. “And I prayed that I would find a way to tell my most honorable friend, the Chevalier C. Auguste Dupin, the truth about how I had finally been murdered and by whom.”—EAP Summer, 1849. When Edgar Allan Poe travels to Paris to help his dear friend hunt down the elusive criminal who bought the Dupin family to ruin during the French Revolution, the sleuthing duo are engaged by the prefect of police to recover the stolen letter of an infamous Parisian salonnière. Is the thief one of the French literary greats who attend her salons, or might it be Dupin’s own enemy who is scheming to become the Emperor of France? Poe and Dupin are quickly embroiled in a deadly cat and mouse game that takes them to the treacherous tunnels of the city’s necropolis, where few who venture into the notorious Empire of the Dead manage to return from the darkness… The third in the author’s critically acclaimed Edgar Allan Poe series, Empire of the Dead is a thrilling historical mystery about alchemy, mesmerism and magic, the shadows of the past, and the endurance of love.

Library of Congress Subject Headings (LCSH) is used by more libraries worldwide than any other controlled vocabulary system. Yet, many librarians and paraprofessional staff do not have any formal education or training in LCSH. They find themselves having to decipher or construct LCSH strings and don’t know where to begin. Here’s a resource that uses language non-catalogers can understand and provides hands-on, user-friendly training in LCSH. Here Karen Snow transfers her popular LCSH workshops and continuing education courses to book form for those who can’t attend her courses. This book offers material on the basics of subject analysis, the importance of controlled vocabularies, and the main features and principles of LCSH. It explains and provides guidance on the application of LCSH. Library of Congress’ instruction manual for LCSH, the Subject Headings Manual, is discussed at length. Several chapters concentrate on assigning LCSH to resources of a certain focus or genre: fiction works, biographical works (or works that focus heavily on a certain person or their works), and resources that emphasize a geographic location. A separate chapter on encoding subject information in the Machine-Readable Cataloging (MARC) standard will be particularly useful for library staff. Most chapters contain exercises (with answers at the end of the book) that test a reader’s understanding of the chapter material and provide opportunities to practice applying LCSH and subdivisions.

Summer, 1840. Edgar Allan Poe arrives in London to meet his friend C. Auguste Dupin, in the hope that the great detective will help him solve a family mystery. For Poe has inherited a mahogany box containing sheathes of letters that implicate his grandparents in some of London’s most heinous and scandalous crimes – those committed by the so-called London Monster who, for two years, terrorized the city’s streets, stalking attractive, well-to-do young women, slicing their clothing and their derrières. Unable, or perhaps unwilling, to accept that his grandparents – actors who struggled to make a living on the London stage – led a clandestine and nefarious double life, Poe and Dupin set out to prove the missives forgeries. But as they delve deeper into the city’s secrets, and past horrors emerge, they start to suspect that they too are being watched and preyed upon. And if they are, might their stalkers be connected to the London Monster?

Summer, 1840. Edgar Allan Poe sails from Philadelphia to London to meet his friend C. Auguste Dupin, with the hope that the great detective will help him solve a family mystery. For Poe has inherited a mahogany box containing a collection of letters allegedly written by his grandparents, Elizabeth and Henry Arnold. The Arnolds were actors who struggled to make a living on the London stage, but the mysterious letters suggest that the couple has a more clandestine and nefarious lifestyle, stalking well-to-do young women at night, to slice their clothing and derrières. Poe hopes to prove the missives forgeries; Dupin wonders if perhaps they are real, but their content fantasy. Soon Poe is being stalked by someone who knows far more about his grandparents and their crimes than he does. And then he remembers disturbing attacks made upon him as a child in London—could the perpetrators be connected?

William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.

H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.