Childhood friends reunite years after a shattering tragedy in this “compelling page-turner” by the New York Times–bestselling author (Kirkus Reviews, starred review). When Andrew was about to leave his small upstate New York town for college, tragedy struck the beautiful girl next door, Eden Close. An adopted child, Eden had learned to avoid the mother who did not want her and to please the father who did. She also aimed to please Andrew and his friends, first by being one of the boys and later by seducing them. Then one hot night, Andrew was awakened by gunshots and piercing screams from the next farm: Mr. Close had been killed and Eden blinded. Now, seventeen years later, Andrew returns to his upstate New York hometown to attend his mother’s funeral, and begins to uncover the grisly story––to unravel the layers of thwarted love between the husband, wife, and tormented girl. And as the truth about Eden’s past comes to light, so too does Andrew’s strange and binding attachment to her . . . “Eden’s story has the heightened emotions, the dark, brooding atmosphere of a Southern gothic novel . . . Shreve demonstrates her ability to create highly vivid, sympathetic people.” —The New York Times “Beautifully rendered scenes.” —Kirkus Reviews (starred review) “Shreve simply has the Gift—the ability to hook you from the first page and not let go until the final word.” —The Washington Post Book World

Earth's demise may not come from the skies. It most likely will come from within. Not since the infancy of our solar system has Earth undergone such titanic geological upheavals. Rift zones are tearing the world apart, tectonic plates rampage under land masses causing earthquakes of immeasurable magnitude, continents being split into pieces then consumed by half-mile high tsunamis. Earth's lands have ceased to exist except for three insignificant stubs of land; a scant remnant of Montana where vacationing Ross Nielson has joined up with a group of picnicking school children. Another is a 9,000 seamount in the bay of Ecuador housing a team of geologists, and the third an uninhabited dot of Australia. The Montana and Ecuador survivors, a family cruising the Pacific on their yacht, and the remnant crew of a devastated Coast Guard ship bring the Earth's total known population to fifty. Intimate snapshots of an estranged father and son on the verge of a reunion, an airliner's crew, a Hawaiian priest and a revenge-seeking girl sketch the poignancy of their last hours before being claimed by this unprecedented catastrophe.

The Reading Group follows the trials and tribulations of a group of women who meet regularly to read and discuss books.Over the course of a year, each of these women become intertwined, both in the books they read and within each other's lives. Inspired by a shared desire for conversation, a good book and a glass of wine-Clare, Harriet, Nicole, Polly, and Susan undergo startling revelations and transformations despite their differences in background, age and respective dilemmas. What starts as a reading group gradually evolves into a forum where the women may express their views through the books they read and grow to become increasingly more open as the bonds of friendship cement. In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

An “instantly cinematic” horror eco-thriller “that will make you wonder what the world would be like if humans were to give it back” (Josh Malerman, New York Times bestselling author of Bird Box). “As terrifying as it is exhilarating.” —Alma Katsu “A smart, thrilling, relentless eco-nightmare.” —Paul Tremblay Earth’s rising oceans contain enormous islands of refuse, the Amazon rainforest is all-but destroyed, and countless species edge towards extinction. Humanity’s last hope to save the planet lies with The Virgin Zones, 13 vast areas of land off-limits to people and given back to nature. Dylan leads a clandestine team of adventure racers, including his daughter Jenn, into Eden, the oldest of the Zones. Jenn carries a secret—Kat, Dylan’s wife who abandoned them both years ago, has entered Eden ahead of them. Jenn is determined to find her mother, but neither she nor the rest of their tight-knit team are prepared for what confronts them. Nature has returned to Eden in an elemental, primeval way. And here, nature is no longer humanity’s friend.

Vito Bianchi had given up on love years ago after his wife walked out the door. He immersed himself in his work, letting one day pass into the next so he didn’t dwell on what was missing in his life. But when he’s called out to a fire at the home of Star Falls newest resident, he couldn’t stop himself from being sucked in to her world. Eden Byrne moved to the small town of Star Falls for a fresh start. The single mother wanted a better life for herself and her daughter far away from her past in Los Angeles. She promised herself she wouldn’t get involved with another man, but when the hot fireman becomes her newest friend, she can’t outrun the world of possibilities. Never Too Close is a friends to lovers, single mother, protective alpha, family saga, cinnamon roll romance and the third book in the Star Falls series. Star Falls Series: Book 1 – Never Too Late Book 2 – Never Too Soon Book 3 – Never Too Close

In the past thirty years biodiversity has become one of the central organizing principles through which we understand the nonhuman environment. Its deceptively simple definition as the variation among living organisms masks its status as a hotly contested term both within the sciences and more broadly. In Eden’s Endemics, Elizabeth Callaway looks to cultural objects—novels, memoirs, databases, visualizations, and poetry— that depict many species at once to consider the question of how we narrate organisms in their multiplicity. Touching on topics ranging from seed banks to science fiction to bird-watching, Callaway argues that there is no set, generally accepted way to measure biodiversity. Westerners tend to conceptualize it according to one or more of an array of tropes rooted in colonial history such as the Lost Eden, Noah’s Ark, and Tree-of-Life imagery. These conceptualizations affect what kinds of biodiversities are prioritized for protection. While using biodiversity as a way to talk about the world aims to highlight what is most valued in nature, it can produce narratives that reinforce certain power differentials—with real-life consequences for conservation projects. Thus the choices made when portraying biodiversity impact what is visible, what is visceral, and what is unquestioned common sense about the patterns of life on Earth.