"Published to accompany the exhibition In Focus: Ed Ruscha, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from April 9 to September 29, 2013, this book focuses on Ruscha's photographic work, specifically the thirty-eight images he made for his 1965 photobook Some Los Angeles Apartments"--Provided by publisher.

Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.

Edited and with an Essay by Sylvia Wolf.

The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobileÑgas stations, billboards, building facades, parking lots, and long stretches of roadwayÑare the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word imagesÑdeclaring Adios, Rodeo, Wheels over Indian Trails, and Honey . . . I Twisted through More Damn Traffic to Get HereÑfurther underscore a contemporary Western sensibility. RuschaÕs interest in what the real West has becomeÑand HollywoodÕs version of itÑplays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D.J. Waldie, plus a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painterÕs lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16ÐOctober 9, 2016

Published to accompany the exhibition of the same name held at The National Gallery, London, 11th June-7th October 2018.

This catalogue was published in conjunction with the exhibition PICTURING ED: JERRY MCMILLAN'S PHOTOGRAPHS OF ED RUSCHA 1958-1972 at Craig Krull Gallery from May 22-June 26, 2004. The exhibition included forty-seven vintage photographic images of Edward Ruscha taken over the years by his good friend (and fellow Oklahoma City to L.A. transplant) Jerry McMillan. The catalogue is trimmed to the size of one of Ruscha's self published artist's books of the sixties and seventies and it contains an abundance of sweet & sexy pictures of Ed the artist, friend, husband, and dad.