Two centuries ago Philadelphia was the center for the study of natural history in the United States. Drawing on this legacy, this book explores the ecology of the city's downtown, a district called Center City. Despite high density development, the ecology of Center City turns out to be resilient and dynamic.

An unconventional history of Philadelphia that operates at the threshold of cultural and environmental studies, A Greene Country Towne expands the meaning of community beyond people to encompass nonhuman beings, things, and forces. By examining a diverse range of cultural acts and material objects created in Philadelphia—from Native American artifacts, early stoves, and literary works to public parks, photographs, and paintings—through the lens of new materialism, the essays in A Greene Country Towne ask us to consider an urban environmental history in which humans are not the only protagonists. This collection reimagines the city as a system of constantly evolving constituents and agencies that have interacted over time, a system powerfully captured by Philadelphia artists, writers, architects, and planners since the seventeenth century. In addition to the editors, contributors to this volume are Maria Farland, Nate Gabriel, Andrea L. M. Hansen, Scott Hicks, Michael Dean Mackintosh, Amy E. Menzer, Stephen Nepa, John Ott, Sue Ann Prince, and Mary I. Unger.

An unconventional history of Philadelphia that operates at the threshold of cultural and environmental studies, A Greene Country Towne expands the meaning of community beyond people to encompass nonhuman beings, things, and forces. By examining a diverse range of cultural acts and material objects created in Philadelphia—from Native American artifacts, early stoves, and literary works to public parks, photographs, and paintings—through the lens of new materialism, the essays in A Greene Country Towne ask us to consider an urban environmental history in which humans are not the only protagonists. This collection reimagines the city as a system of constantly evolving constituents and agencies that have interacted over time, a system powerfully captured by Philadelphia artists, writers, architects, and planners since the seventeenth century. In addition to the editors, contributors to this volume are Maria Farland, Nate Gabriel, Andrea L. M. Hansen, Scott Hicks, Michael Dean Mackintosh, Amy E. Menzer, Stephen Nepa, John Ott, Sue Ann Prince, and Mary I. Unger.

Like so many big cities in the United States, Philadelphia has suffered from a strikingly high murder rate over the past fifty years. Such tragic loss of life, as Eric C. Schneider demonstrates, does not occur randomly throughout the city; rather, murders have been racialized and spatialized, concentrated in the low-income African American populations living within particular neighborhoods. In The Ecology of Homicide, Schneider tracks the history of murder in Philadelphia during a critical period from World War II until the early 1980s, focusing on the years leading up to and immediately following the 1966 Miranda Supreme Court decision and the shift to easier gun access and the resulting spike in violence that followed. Examining the transcripts of nearly two hundred murder trials, The Ecology of Homicide presents the voices of victims and perpetrators of crime, as well as the enforcers of the law—using, to an unprecedented degree, the words of the people who were actually involved. In Schneider's hands, their perspectives produce an intimate record of what was happening on the streets of Philadelphia in the decades from 1940 until 1980, describing how race factored into everyday life, how corrosive crime was to the larger community, how the law intersected with every action of everyone involved, and, most critically, how individuals saw themselves and others. Schneider traces the ways in which low-income African American neighborhoods became ever more dangerous for those who lived there as the combined effects of concentrated poverty, economic disinvestment, and misguided policy accumulated to sustain and deepen what he calls an "ecology of violence," bound in place over time. Covering topics including gender, urban redevelopment, community involvement, children, and gangs, as well as the impact of violence perpetrated by and against police, The Ecology of Homicide is a powerful link between urban history and the contemporary city.

A collection of essays exploring the ways in which art and literature have imagined, animated, and embodied the complex ecology of Philadelphia since the seventeenth century. Essays utilize emerging methods of interpretation in ecocriticism, new materialism, art history, philosophy, and urban studies.

In Nature's Entrepot, the contributors view the planning, expansion, and sustainability of the urban environment of Philadelphia from its inception to the present. The chapters explore the history of the city, its natural resources, and the early naturalists who would influence future environmental policy. They then follow Philadelphia's growing struggles with disease, sanitation, pollution, sewerage, transportation, population growth and decline, and other byproducts of urban expansion. Later chapters examine efforts in the modern era to preserve animal populations, self-sustaining food supplies, functional landscapes and urban planning, and environmental activism. Philadelphia's place as an early seat of government and major American metropolis has been well documented by leading historians. Now, Nature's Entrepot looks particularly to the human impact on this unique urban environment, examining its long history of industrial and infrastructure development, policy changes, environmental consciousness, and sustainability efforts that would come to influence not just this region but also the nation.

"A collection of essays examining how patterns of use and attitudes to green spaces within Penn's city plan and along the Schuylkill informed notions of place from the time of Philadelphia's founding to the formation of the modern Fairmount Park system in the mid-19th century"--Provided by publisher.