The theory and praxis of ecofeminism has barely been investigated in an Indian context. Ecofeminism is an inclusive theory and provides an intersectional study of feminism, ecocriticism, and literature. Ecofeminism and Indian Women Writing in English unearths the sensibility of Indian women writings through the lens of ecofeminism. This book gives all the required details about ecofeminism, major movements and ecofeminist theories, in both the Indian as well as Western perspectives. It will help the readers understand the discourse of ecofeminism. The reader will get a thorough understanding on how to critically examine an ecofeminist element in a particular text. The book's main objective is to re(store) the cultural heritage of India against its colonial history that had mis(interpreted) the environmental ethics of Indian philosophy, affinity of women with nature and animals. The so-called developmental models of post-modern era will be beneficial only when they will focus on mutual sustainability of man and nature.

About the Author: Dipak Giri- M.A. (Double), B.Ed. - is a Ph. D. Research Scholar in Raiganj University, Raiganj, Uttar Dinajpur (W.B.). He is working as an Assistant Teacher in Katamari High School (H.S.), Cooch Behar, West Bengal. He is an Academic Counsellor in Netaji Subhas Open University, Cooch Behar College Study Centre, Cooch Behar, West Bengal. He was formerly Part Time Lecturer in Cooch Behar College, Vivekananda College and Thakur Panchanan Mahila Mahavidyalaya, West Bengal and worked as a Guest Lecturer in Dewanhat College, West Bengal. Along with this book on Woman-Nature Interface, he has also edited nine books on Indian English Drama, Indian English Novel, Postcolonial English Literature, New Woman in Indian Literature, Indian Women Novelists in English, Homosexuality in Contemporary Indian Literature, Transgender in Indian Context, Mahesh Dattani and Indian Diaspora Literature. He is a well-known academician and has published many scholarly research articles in books and journals of both national and international repute. His area of studies includes Postcolonial Literature, Indian Writing in English, Dalit Literature, Feminism and Gender Studies. About the Book: This present volume of nineteen essays presents a critical insight into the works of many writers of repute. All essays are woman and ecocentric where both woman and ecology are critically discussed. Along with literary essays, the volume also presents essays on other disciplines of learning. Hopefully this volume would try to reach many unexplored areas of knowledge and serve larger sections of humanity.

Following Françoise d’Eaubonne’s creation of the term “ecofeminism” in 1974, scholars around the world have explored ways that the degradation of the environment and the subjugation of women are linked. In the nearly three decades since the publication of the classical work Ecofeminism by Maria Mies and Vandana Shiva in 1993, several collections have appeared that apply ecofeminism to literary criticism, also known as feminist ecocriticism. The most recent of these include anthologies that emphasize international perspectives, furthering the comparative task launched by Mies and Shiva. To date, however, there have been no books devoted to gaining a broad-based understanding of feminist ecocriticism in India, understood in its own terms. Our new volume Indian Feminist Ecocriticism offers a survey of literature as seen through an ecofeminist lens by Indian scholars, which places contemporary literary analysis through a sampling of its diverse languages and in the context of millennia-old mythic traditions of India.

The word doyenne signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women’s Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women’s literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women’s writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman’s body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women’s Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women’s literature in India.

Elizabeth Jackson conducts a developmental and comparative study of feminist concerns expressed through the novels of the four best-known and most prolific Indian female authors writing in English during the latter half of the twentieth century: Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande. The introduction situates their work within its Indian historical and political context, and each of the five chapters explores an area of particular relevance to their fictional writing: Women, Cultural Identity and Social Class; Marriage and Sexuality; Motherhood and Other Work; Women's Role in Maintaining and/or Resisting Patriarchy; and Form and Narrative Strategy. Each chapter is contextualised with a brief survey of Indian and western feminist approaches to the particular area under consideration. Feminism and Contemporary Indian Women's Writing explores areas of commonality and divergence between Indian and 'western' feminisms, highlighting the limits of both approaches to suggest future directions for feminism itself.

Science fiction, as a literature of fantasy, goes beyond the mundane to ask the question: what if the world were different from the way it is? It often challenges the real, builds on imagination, places no limits on human capacities, and encourages readers to think outside their social and cultural conditioning. This book presents a systematic study of Indian women’s science fiction. It offers a critical analysis of the works of four female Indian writers of science fiction: Rokeya Sakhawat Hossain, Manjula Padmanabhan, Priya Sarukkai Chabria and Vandana Singh. The author considers not only the evolution of science fiction writing in India, but also discusses the use of innovations and unique themes including science fiction in different Indian languages; the literary, political, and educational activism of the women writers; and eco-feminism and the idea of cloning in writing, to argue that this genre could be viewed as a vibrant representation of freedom of expression and radical literature. This ground-breaking volume will be useful for scholars and researchers of English literature. It will also prove a very useful source for further studies into Indian literature, science and technology studies, women’s and gender studies, comparative literature and cultural studies.