The book offers twelve cases of ethics relating to ecology and culture. The twelve cases presented in the twelve essays, are written by eminent scholars from India, USA, Canada and Egypt. Employing various ecocritical frameworks, the writers have tried to understand/analyse literary, cinematic and other cultural texts and contexts. The volume argues that the principles of ethics are as dynamic as culture and nature. Any ecological perspectives/issues/conditions cannot be separated from their cultural contexts and thus need a culture-specific scrutiny to understand the ethics of ecoculture.

Can humans flourish without destroying the earth? In this book, experts on many of the world's major and minor religious traditions address the question of human and earth flourishing. Each chapter considers specific religious ideas and specific environmental harms. Chapters are paired and the authors work in dialogue with one another. Taken together, the chapters reveal that the question of flourishing is deceptively simple. Most would agree that humans should flourish without destroying the earth. But not all humans have equal opportunities to flourish. Additionally, on a basic physical level any human flourishing must, of necessity, cause some harm. These considerations of the price and distribution of flourishing raise unique questions about the status of humans and nature. This book represents a step toward reconciliation: that people and their ecosystems may live in peace, that people from different religious worldviews may engage in productive dialogue; in short, that all may flourish.

Sustainability and the City: Urban Poetics and Politics contributes to third-generation discourse on sustainable development by considering, through a humanistic lens, theories and practices of sustainability in a wide range of urban cultures. It demonstrates cities’ inextricability from discussions on sustainability because not only is the world urbanizing at an unprecedented rate but also cities are primary locations of the circulation of excess capital, socioeconomic divisions and hierarchies, political resistance, friction between human and non-human worlds, and the confluence of art, policy, and identity formation in placemaking. With essays by scholars working in a variety of fields—from architecture to literature to music to sociology—this collection maintains that any hope for achieving urban sustainability will require taking seriously the ways in which cities are imagined. Efforts to make cities sustainable must fully incorporate the humanities because critical endeavors and creative expressions that fall within the purview of the humanities are vital to closing the conceptual gulf, as well as the practical gap, between human and non-human conservation. Even if the environmental humanities embrace cities, critics must ask whether coalescing the terms ‘sustainability’ and ‘city’ may actually obstruct human action to combat climate change—which, from some angles, seems impending, self-imposed apocalypse. To examine the urban turn, Sustainability and the City attends to culture. Essays in the first part of the collection approach urban sustainability from various disciplinary vantage points to emphasize history, ideology, pedagogy, and critical theory. The second part of the collection analyzes urban commons on four different continents. Finally, the collection moves from a diverse set of interpretations of on-the-ground urban phenomena to a compilation of readings of sustainability in different media and genres—sound art, drama, fiction, and film—set in, or evocative of, cities. The collection carves out a place for artists and critics to help realize social justice in cities, which generate remarkable power, but power that is too often and too easily used destructively, unfairly, and wastefully despite cities’ unique capacities to inspire and sustain humanity.

Ecocritical thinking has sensitized us more than ever before to the tremendous importance of water for human life, as it is richly reflected in the world of literature. The great relevance of water also in the Middle Ages might come as a surprise for many readers, but the evidence assembled here confirms that also medieval poets were keenly aware of the importance of water to sustain all life, to provide understanding of life’s secrets, to mirror love, and to connect the individual with God. In eleven chapters major medieval European authors and their works are discussed here, taking us from the world of Old Norse to Irish and Latin literature, to German, French, English, and Italian romances and other narratives.

There is probably no set of issues of greater importance in the contemporary world than those that are to do with the Earth on which we live and depend. The more alienated we become from it the more we contribute to our own destruction. Christianity’s complicity in this destruction is well-documented and hotly debated. Africa can ill afford to fall into the same trap that Western Christianity has in this regard. One senses the urgency of these concerns in Blasu’s African Theocology: Studies in African Religious Creation Care. Extremely well-informed in the field, Blasu not only draws on the three major religions in Africa—Christianity, Islam, and African traditional religion—but demonstrates familiarity with the most important recent contributions in the field from Western scholarship. With its emphasis on pedagogics, African Theocology will play a seminal role in the construction of curricula for an African Christian theology of the environment and is sure to be an essential contribution to all libraries in institutions of higher learning.

The book studies the cultural texts—fiction, protest effigies, photographs, films, reportage, eyewitness accounts, campaign posters and reports—produced around the world’s worst industrial disaster: the Bhopal tragedy of 1984. It makes a case for an ecological Gothic, wherein the city, its landscape and its people are Gothicized. After tracing the history of the disaster as a history of negligence, the book proceeds in later chapters to study the coverage of the events themselves by eyewitnesses and survivors, and the remnants, in various forms, of the disaster – the haunting – within human bodies and nature. Finally, it examines the industrial ruins and the mobilization of protests against Union Carbide.

The volume offers a survey of the contribution of German literature and culture to the evolution of ecological thought. As the field of ecocritical theory and practice is rapidly expanding towards transnational and global dimensions, it seems nevertheless necessary to consider the distinct manifestations of ecological thought in various cultures. In this sense, the volume demonstrates in twenty-six essays from different disciplines how German literature, philosophy, art, and science have contributed in unique ways to the emergence of ecological thought on national and transnational scale. The volume maps the most important and characteristic of these developments both on a theoretical and on a textual-analytical level. It is structured in five parts ranging from proto-ecological thought since early modern times (part I) to major theoretical approaches (part II), environmental history (part III), and ecocritical case studies (part IV), to ecological visions in different media and art forms (part V). The four editors have widely published and are actively involved in ecocritical literary and cultural studies. The group of editors consists of two scholars of German literature and cultural studies, Gabriele Duerbeck and Urte Stobbe (both University of Vechta), a scholar in German and comparative literature, Evi Zemanek (University of Freiburg), as well as a scholar of Anglo-American ecoliterature and ecocriticism, Hubert Zapf. All of them are involved in various projects and research networks on ecology and literature. The contributors of the individual chapters likewise are all experts in their respective fields, ranging from German literature, history, environmental studies, art history, music and art. The book is a unique and readily accessible collection of essays that is of relevance not only for a German and continental European but for a worldwide audience.