The North has always had, and still has, an irresistible attraction. This fascination is made up of a mixture of perspectives, among these, the various explorations of the Arctic itself and the Inuk cultural heritage found in the elders' and contemporary stories. This book discusses the different generations of explorers and writers and illustrates how the sounds of a landscape are inseparable from the stories of its inhabitants. Published in English.

When Thomas Merton entered a Trappist monastery in December 1941, he turned his back on secular life—including a very promising literary career. He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again. It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot—one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it. He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life. Merton’s thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O’Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.

Munashe Mungate, the novel's main character, is a doubting man who is swept up in a wave of history in the Zimbabwean liberation war and its aftermath, and the effects on the psyche of the individuals who participated in it. Munashe's history is the story of the nation: a relentless and compelling history, from horror to some form of accountability and atonement. A guerilla is hounded by accusations of having sold out; a soldier allows his enemies to escape; the spirit medium of the lioness roars as the male protagonist speaks with the voice of the women he killed. The account shows the complexity of the period, and its effects: Munashe finally has no self - he is the war. Africa rights only

Harold Pinter's Politics examines the expression of Pinter's political beliefs across every aspect and era of his artistic career. The fierce political stances of this important dramatist have been embodied in plays, screenplays, and his career as a theatrical director. Traditionally associated with absurdism, minimalism, and the dramatization of uncertainty, Pinter's name is now a byword for anti-authoritarian and anti-American politics. This transition has been in evidence from the earliest phases of his writing; all of Pinter's work emerges from his political views. His uniqueness as a political artist is that he is pessimistic about changing his audience or making it see its complicity in the horrors of the modern world. These horrors are dramatized through images of torture and oppression culminating in moments of silence that index the full extent of the destruction unleashed by the forces of power against dissidence.

When Edith was stillborn without warning, Jonny and Joanna were stunned and confused. Why wasn't anyone talking about baby loss? Where could they turn for help? Who would answer their burning questions? One in in four pregnancies ends in miscarriage; one in 200 in stillbirth. And yet, while the church offers resources to cope with suffering generally, there is often an echoing silence when it comes to the trauma of baby loss. 'When we lost our daughter Edith,' say Jonny and Joanna, 'it was painful indeed to find the lack of biblically rooted and pastorally sensitive resources.' Nothing really hit the mark, so, through tears, they wrote this book. It comes to you, or someone close to you, with a massive hug. It is the authors' prayer and passion that you will be amazed by our great God as you connect with deep truths from the Bible, bringing healing to your heart, mind and soul.

In this short poetic novel Alexander Kanengoni relates the traumatic history of those who fought to create the modern Zimbabwe.