From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.

New York Times bestselling books have taken the view that the oldest New Testament documents paint a very different picture to later copies. Others are of the opinion that the original gospel accounts were never intended to be historically accurate. Many people assume that the bias of the original New Testament authors distorted their recollections of Jesus, and Jesus' words were not put into written form for several decades, allowing distortion to occur. What would you say? What do you believe and why? Were Jesus' words recorded accurately by the gospel writers during Jesus' life & the making & copying of the New Testament? This highly readable journey of discovery considers gospel textual criticism, Christian historiography, archaeology, literacy & more. See evidence for the reliability of the recounting of Jesus as found in the Bible. This Christian apologetic book provides evidence in an engaging manner, following along a logical journey of discovery. When you've purchased and read this book you will: - understand how literate and historically aware the ancient civilisations were - appreciate how it was possible for the first disciples to accurately record Jesus' life and teachings - have a highly readable explanation of early Greek New Testament documents and know what they have to say about accuracy in copying - know the content and credibility of non-Christian ancient literature that comment on Jesus and the first Christians.

This book asks how we may undertake to represent representation.

In Echoes of Ararat, author Nick Liguori contends that oral traditions of the Flood - and the survival of the few inside the floating Ark - are even more prevalent than previously thought, and they powerfully confirm the truth of the Genesis account. This unprecedented work carefully documents hundreds of native traditions of the Flood - as well as the Tower of Babel and the Garden of Eden - from the tribes of North and South America. Learn what the Cherokee, Lakota, Iroquois, Cheyenne, Inuit, Inca, Aztec, Guarani, and countless other tribes claimed about the early history of the world. Liguori also shares many evidences for the historical reliability of Genesis, and shows that the Genesis Flood account is not dependent on the Epic of Gilgamesh or other Near-Eastern texts, as skeptics claim. Rather, its author Moses had access to ancient records passed down by the early Patriarchs, including Joseph, Jacob, Abraham, and even Noah himself.

The claim that the events of Jesus' life, death, and resurrection took place "according to the Scriptures" stands at the heart of the New Testament's message. All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel states this claim succinctly: in his narrative, Jesus declares, "If you believed Moses, you would believe me, for he wrote about me" (John 5:46). Yet modern historical criticism characteristically judges that the New Testament's christological readings of Israel's Scripture misrepresent the original sense of the texts; this judgment forces fundamental questions to be asked: Why do the Gospel writers read the Scriptures in such surprising ways? Are their readings intelligible as coherent or persuasive interpretations of the Scriptures? Does Christian faith require the illegitimate theft of someone else's sacred texts? Echoes of Scripture in the Gospels answers these questions. Richard B. Hays chronicles the dramatically different ways the four Gospel writers interpreted Israel's Scripture and reveals that their readings were as complementary as they were faithful. In this long-awaited sequel to his Echoes of Scripture in the Letters of Paul, Hays highlights the theological consequences of the Gospel writers' distinctive hermeneutical approaches and asks what it might mean for contemporary readers to attempt to read Scripture through the eyes of the Evangelists. In particular, Hays carefully describes the Evangelists' practice of figural reading--an imaginative and retrospective move that creates narrative continuity and wholeness. He shows how each Gospel artfully uses scriptural echoes to re-narrate Israel's story, to assert that Jesus is the embodiment of Israel's God, and to prod the church in its vocation to engage the pagan world. Hays shows how the Evangelists summon readers to a conversion of their imagination. The Evangelists' use of scriptural echo beckons readers to believe the extraordinary: that Jesus was Israel's Messiah, that Jesus is Israel's God, and that contemporary believers are still on mission. The Evangelists, according to Hays, are training our scriptural senses, calling readers to be better scriptural people by being better scriptural poets.