Fifteen-year-old Sookan adjusts to life in the refugee village in Pusan but continues to hope that the civil war will end and her family will be reunited in Seoul.

Sequel to the Year of the Impossible Goodbyes, Sookan, her mother and brother have fled the bombing in Seoul, Korea three days before. Having been separated from other family members, she is alone, sad and scared. Then she meets Junho who is quiet, thoughtful and handsome. They develop a special, but forbidden relationship.

When Martine’s home in England burns down, killing her parents, she must go to South Africa to live on a wildlife game preserve, called Sawubona, with the grandmother she didn’t know she had. Almost as soon as she arrives, Martine hears stories about a white giraffe living in the preserve. But her grandmother and others working at Sawubona insist that the giraffe is just a myth. Martine is not so sure, until one stormy night when she looks out her window and locks eyes with Jemmy, a young silvery-white giraffe. Why is everyone keeping Jemmy’s existence a secret? Does it have anything to do with the rash of poaching going on at Sawubona? Martine needs all of the courage and smarts she has, not to mention a little African magic, to find out. First-time children’s author Lauren St. John brings us deep into the African world, where myths become reality and a young girl with a healing gift has the power to save her home and her one true friend.

The second exciting adventure in the dramatic Legend of the Animal Healer series! Martine is just getting used to her new life on the game reserve with her grandmother and the white giraffe, Jemmy, when she must go away. Her class is going on a trip?an ocean voyage to watch the sardine run, a spectacular natural phenomenon off the coast of South Africa. But the exciting adventure takes a dramatic turn when Martine and several of her classmates are thrown overboard into shark-infested waters! They are saved by a pod of dolphins and end up marooned on a deserted island. Now the castaways must learn to work together, not only to survive but to help the dolphins who are now in peril.

This autobiographical story tells of ten-year-old Sookan and her family's suffering and humiliation in Korea, first under Japanese rule and after the Russians invade, and of a harrowing escape to South Korea.

An analytically innovative work, Begin Here widens the current critical focus of Asian North American literary studies by proposing an integrated thematic and narratological approach to the practice of autobiography. It demonstrates how Asian North American memoirs of childhood challenge the construction and performative potential of national experiences. This understanding influences theoretical approaches to ethnic life writing, expanding the boundaries of traditional autobiography by negotiating narrative techniques and genre and raising complex questions about self-representation and the construction of cultural memory. By examining the artistic project of some fifty Asian North American writers who deploy their childhood narratives in the representation of the individual processes of self-identification and negotiation of cultural and national affiliation, this work provides a comprehensive overview of Asian North American autobiographies of childhood published over the last century. Importantly, it also attends to new ways of writing autobiographies, employing comics, blending verse, prose, diaries, and life writing for children, and using relational approaches to self-identification, among others.