Retelling of Aboriginal legends concerning creation, birth, death, animals, etc., combined with the paintings of Ainslie Roberts.

Published just once before in 1988, this book contains over sixty paintings and sixty drawings by Ainslie Roberts based on Aboriginal Mythology, with texts by Melva Jean Roberts and Charles Mountford. Introduced by Dale Roberts. Quite apart from their artistic worth the paintings add a great deal to our understanding and appreciation of the myths they illustrate; and Roberts delivers them with a real sense of background, whether this is the harsh hot Centre or the green waves of the Southern Ocean. - The Australian The artist's evocation of these myths is often extremely dramatic and imaginative; this volume is valuable both for its material on Aboriginal mythology and as an example of contemporary Australian art. - British Book News

Extended discussion of the concepts of time and origin in the work of Durkheim, Muller and Freud; Ch. 5 - contrasts the representation of the Dreaming in Eliade's Australian religions and Munns Walbiri iconography; role of dreams and graphic representation in Walbiri womens lives - their relation to formal analysis of the Dreaming; argues that the Dreaming should be seen as a measure of difference and against its perception as an origin; ground sand designs; historical consciousness.

Recounts the aborigine story of creation featuring Goorialla, the great Rainbow Serpent.

Sounding 7 begins with Echo 107 titled CONTEMPORARY EUROPEAN EYES ON THE OZ CULTURE-CLASH FRONTIER followed by echoes on BUCKLEY REVISITED, AFTER THE PROTECTORATE CRUMBLED and WHAT OF PROTECTOR ROBINSON? Echoes follow on salvaging tribal ways, the Merri Creek black orphanage, ‘going round the bend’ at the Asylum and Echo 114: THE CELESTIALS OF VICTORIA, being the resented Chinese gold miners. Exploring the contrasting fate of Batman, La Trobe and Derrimut, leads into echoes on fringe-dwelling, cultural resistance and Oz racism, in particular the mass psychology of racist ideology that culminated with World War 2. After the gold rush era, life and right behaviour at the Healesville Coranderrk mission station and re-thinking William Thomas the Aboriginal Guardian lead to the pleasant notion of civilizing British colonies through sport. The life and exploits of Tom Wills is celebrated in Echo 122: THE MAKING & BREAKING OF VICTORIA’S FIRST SPORTING HERO. Turning to political history, Oz class struggles – convicts, capitalism and nation-building asks the question with Echo 124: WHITHER MARXISM [?] and then BRITISH EMPIRE POLICY REFORMS IN THE 1840s to contain a Chartist-led revolution. Facets of Victorian ‘quality of life’ since the land grab are followed by echoes on the astrology of the 1802 Port Phillip Crown possession claim and an echo titled TOWARDS AN ASTROLOGY OF CIVILIZATION. The Sounding concludes with approaches to researching Aboriginal society, an undergraduate essay on the Dreamtime and finally with Echo 130: A RAINBOW SERPENT BRIDGE. Today in the 21s century, I wonder how differently Oz would have developed if the then ruling British government in Sydney and London had not used censorship to delay the gold rush for almost 40 years! Sounding 8 begins with Echo 131: HISTORY DISTORTION & CENSORSHIP and is backed up with a critique of Britannia’s pirate empire that together spawn two more echoes of doubtful but controversial polemics in 1421 – THE YEAR CHINA DISCOVERED THE WORLD suggesting they were here in Oz many centuries before Captain Cook. Echo 135: THE KADAITCHA SUNG MEETS THE DRUID INHERITANCE pits Palm Islander Sam Watson’s 1990s fiction The Kadaitcha Sung [the ‘clever’ occult Oz Dreamtime] in occult war with the equally ancient European / Celtic / Druid magic in the psyche of the Aryan ‘race’, so to speak. Going even further out on a limb, the focus shifts to recent light shed on ‘dark ages barbarians’ now considered by some historians to have been more culturally refined than the modern city individual. Back in Oz with Echo 137: WHITE MAN’S LAW – BLACKFELLOW LAW and Echo 138: McLEOD’S BUCKET FROM SKULL CREEK brings Western Australia after WW2 into wider awareness with the Pilbara pastoral workers strike of 1946-49 that won half-decent wage rights for Aboriginal stockmen. Moving further north, Echo 141: RECENT ARNHEMLAND CONNECTIONS Part 1: Taming the NT is the stuff of White Australia’s race-based patriotism as depicted in Ion Idriess’s once-mainstream fascist fictions counterpointed by Part 2: James Gaykamangus’s Striving to bridge the chasm: my cultural learning journey. The final echo 142 talks treaty.

Age range 5 to 8 Kindness is like a boomerang -- if you throw it often, it comes back often. Kookoo the Kookaburra is the second heartwarming morality tale - set within the cultural context of theDreamtime -- by Queensland teacher Gregg Dreise. In the same vein as his first book Silly Birds (MagabalaBooks 2014) Dreise tells the story of Kookoo, a kind and well-loved kookaburra who is famous for entertainingthe other bush creatures with his funny stories. Everyone knows Kookoo has a special gift because he cantell funny stories about the other animals without hurting their feelings. However, when Kookoo runs out ofkind stories he turns to teasing and making fun of his friends' differences.Refusing to listen to the sage advice of his uncle, Kookoo gradually alienates all his friends until he findshimself alone and ignored by the other animals. When he finally listens to the sounds of his own laughterechoing around the bush and realises it has become an unhappy sound, Kookoo is forced to remember hisuncle's words and change his ways -- kindness is like a boomerang -- if you throw it often, it comes backoften.

The intertwining of the mundane and the mystical, as characters navigate the challenges of survival while uncovering the spiritual secrets embedded in the Dreamtime.