The Levitical Day of Atonement was a day of penitence, confession, and judgment for Israelites of loyal character and a day of covenant renewal for the nation of Israel. On this day, sin was removed from the tabernacle through the application of sacrificial blood to its altars and compartments, as well as by the dismissal of the goat for Azazel, which carried all the community’s sin to a “barren land.” As it became ingrained in the veil of Jewish consciousness, the Day of Atonement underwent a “process of abstraction” over many centuries leading up to Second Temple times, when the Most Holy Place lay devoid of the ark of the covenant and its mercy seat. Continuing to reverberate in the Jewish imaginaire, the Day of Atonement was received by the authors of the New Testament, including John of Patmos, to whom its sacrificial typology provided irresistible motifs which they used to proclaim “the Christ event.” By utilizing a coherent intertextual approach, this book explores how John wove the Day of Atonement into the colorful literary tapestry of Revelation.

Engaging voices crossing textual limits, race, and ethnic lines In this collection of essays, scholars from Oceania open a new dialog regarding the vast, complex, and slippery nature of the Bible and the fluid meanings of borders and belongings. From belonging in a place, a group, or movement to belongings as material and cultural possessions, from borders of a text, discipline, or thought to borders of nations, communities, or bodies, the authors follow the currents of Oceania to the shores of Asia and beyond. Scholars contributing essays include Jeffrey W. Aernie, Merilyn Clark, Jione Havea, Gregory C. Jenks, Jeanette Mathews, Judith E. McKinlay, Monica Jyotsna Melanchthon, David J. Neville, John Painter, Kathleen P. Rushton, Ruth Sheridan, Nasili Vaka‘uta, and Elaine M. Wainwright. Michele A. Connolly, David M. Gunn, and Mark G. Brett provide responses to the essays. Features: Discussion of the impacts of natural disasters and political and ecological upheavals on biblical interpretation and theological reflection Fourteen essays on texts in the Hebrew Bible and New Testament Three responses to the essays provide a range of views on the topics

Crisler suggests that the interplay between the laments crafted by Luke and laments from Israel's Scriptures produce highly suggestive Christological points of resonance. Crisler considers how echoes of lament shape our understanding of Lukan Christology and make a contribution to ongoing debates about earliest Christology.

Miracle Ruth Burleson: This native of Houston, Texas is a professional music educator, entrepreneur, pastor, professional recording artist and renown speaker. She is known for her creativity and insightful revelations, which produce understanding. You are sure to experience God in a deeper way through her writings. When Author Miracle speaks, people listen and CHANGE!

From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.

The suffering and vindicated king The Psalter evinces meaningful arrangement. When psalms are read with attentiveness to their textual context, striking connections emerge. In The Arrival of the King: The Shape and Story of Psalms 15–24, Carissa Quinn approaches these psalms as a compositional unity. When read as a unit, Psalms 15–24 tell the story of God's kingdom, established through the suffering and deliverance of his Davidic king. Quinn interprets Psalms 15–24 as a sequence and a chiasm, revealing provocative links in adjacent and parallel psalms. These psalms have a sense of progress, beginning with the question of who may ascend the holy hill and culminating in the divine king's own ascent. They also display recursion, as themes in one psalm are developed in its chiastic parallel. At the peak of the chiasm is Psalm 19, where the king praises God's creation and Torah and prays for righteousness. The Arrival of the King establishes and explores the rewards of approaching the Psalms as a carefully arranged literary work.