Eccentric Renaissance shows how El Greco and two other sixteenth-century Cretan artists, Michael Damaskenos and Georgios Klontzas, actively engaged in a re-casting of the Byzantine tradition of icon painting on the Venetian colony of Crete. In so doing, they created art that articulated a point of view that was shaped outside of and against the hegemonic world of Vasari's account of art history. Building upon their own tradition, they developed a highly original understanding of the icon and explored its power to reconcile Byzantine and Renaissance styles of painting and provide a response to the growing presence of Islam.

A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.

Kaplan's LSAT Logical Reasoning Prep is the single, most up-to-date resource you need to confidently answer logical reasoning questions on the LSAT, especially now that the logical reasoning sections are worth up to two-thirds of your entire score. The Law School Admissions Test, also known as the LSAT, underwent a dramatic test change in 2024. Inside this book are the insights of decades of LSAT expertise. Our world-leading faculty have used our decades of data to create in-depth strategies and tactics that catapult students to logical reasoning success. This comprehensive tool grants you access to the following resources. Fully compatible with the LSAT test maker's digital practice tool Official LSAT practice questions and practice exam A personal analysis of your strengths and weaknesses based on your official tests Expert strategies for every question type in the LR sections. Trips to improve timing and section management Dozens of skill-building drills and exercises Exclusive video strategy lessons and workshops from Kaplan’s LSAT top-rated faculty. Up-to-date for the Digital LSAT exam In-depth test-taking strategies to help you score higher We are so certain that LSAT Logical Reasoning Prep offers all the knowledge you need to excel in the logical reasoning section of the LSAT that we guarantee it: After studying with the online resources and book, you'll score higher on the LSAT—or you'll get your money back. The Best Review Kaplan’s LSAT experts share practical tips for using LSAC’s popular digital practice tool and the most widely used free online resources. Study plans will help you make the most of your practice time, regardless of how much time that is. Our exclusive data-driven learning strategies help you focus on what you need to study. In the online resources, an official full-length exam from LSAC, the LSAT testmaker, will help you feel comfortable with the exam format and avoid surprises on Test Day. Hundreds of real LSAT questions with detailed explanations Interactive online instructor-led workshops for expert review Online test analytics that analyzes your performance by section and question type Expert Guidance LSAT Logical Reasoning Prep includes access to lessons from Kaplan's award-winning LSAT Channel, which features one of its top LSAT teachers. We know the test: Kaplan's expert LSAT faculty teach the world's most popular LSAT course, and more people get into law school with a Kaplan LSAT course than all other major test prep companies combined. Kaplan's experts ensure our practice questions and study materials are true to the test. We invented test prep—Kaplan (www.kaptest.com) has been helping students for 80 years. Our proven strategies have helped legions of students achieve their dreams. Publisher's Note: Products purchased from 3rd party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entities included with the product.

The subject is the human imagination—and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Like all of Robert Harbison's works, Eccentric Spaces is a hybrid, informed by the author's interests in art, architecture, fiction, poetry, landscape, geography, history, and philosophy. The subject is the human imagination—and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Palaces and haunted houses, Victorian parlors, Renaissance sculpture gardens, factories, hill-towns, ruins, cities, even novels and paintings constructed around such environments—these are the spaces over which the author broods. Brilliantly learned, deliberately remote in form from conventional scholarship, Eccentric Spaces is a magical book, an intellectual adventure, a celebration. Since its original publication in 1977, Eccentric Spaces has had a devoted readership. Now it is available to be discovered by a new generation of readers.

First Published in 1981. Pater is certainly the least widely read and understood of any of the Victorian critics and creative writers, though there are signs of a coming revival of interest in him. Each of the discussions included in this issue devoted to Pater touches, in some significant way, on his "imaginative sense of fact," on his struggle with the objective ‘givens’ of experience (ideas or individuals), and on his efforts to co-opt or turn that Other into a reordered reflection of his own image.

A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.” Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder. As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists’ lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Saturn. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts. “This book is fascinating to read because of the abundant quotations which bring to life so many remarkable individuals.”–The New York Review of Books

In Ultra-Talk, David Kirby poses a simple question: What makes a cultural phenomenon truly great? Exploring a wide variety of "king-sized cultural monuments," Kirby argues that one qualification for greatness is that a phenomenon be embraced by both the elite and the general public. Further, he argues, it must be embraced repeatedly over time. Kirby turns his critical eye to subjects that have been studied and written about, sought after avidly, discussed passionately, and even resisted vigorously around the world. Auto racing, Dante, folk music, food, Leonardo da Vinci, films, poetry, religion, striptease, television, and the internet are just some of the topics he examines. In Rome, heads of state kneel before Bernini's statue of Saint Teresa in ecstasy, says Kirby, and so do people who can't read. And everyone watches TV. Ultra-Talk pays homage to the work of two towering writers and critics. Johann Wolfgang von Goethe and Giacomo Leopardi both stated that a book was valid only if it had been accepted by both an intellectual elite and a vast public. Kirby would have added a second requirement: that the book's--or cultural monument's--popularity must have traction over time. By standing on the shoulders of Goethe and Leopardi, Kirby offers a way to read, see, and savor a post-theoretical worldview that everybody can share.