Exhibition held at Walters Art Gallery, Baltimore, Md. and others, Sept. 1985-Sept. 1987.

In Ebla , Paolo Matthiae presents the results of 47 years of excavations at this fascinating site, providing a detailed account of Ebla’s history and archaeology. Ebla grew from a small Early Bronze Age settlement into an important trading and political centre, which endured until its final destruction in c. 1600 BC . The destruction of its royal palace c. 2300 BC was particularly significant as it preserved the city’s rich archives, offering a wealth of information on its history, economy, religion, administration, and daily life. The discovery of Ebla is a pivotal moment in the history of archaeological investigations of the twentieth century, and this book is the result of all the excavation campaigns at Tell Mardikh- Ebla from 1964 until 2010, when field operations stopped due to the war in Syria. Available for the first time in English, Ebla offers a complete account of one of the largest pre-classical urban centres by its discoverer, making it an essential resource for students of Ancient Near Eastern archaeology and history.

The fourth and final volume in the series Eblaitica: Essays on the Ebla Archives and Eblaite Language embodies eight cogent essays by a variety of specialists. Of particular interest in this issue is the second part of Michael Astour’s history of Ebla. Contributors include Alfonso Archi, Michael C. Astour, Cyrus H. Gordon, Gary A. Rendsburg, Robert R. Stieglitz, and Al Wolters.

The fourth and final volume in the series Eblaitica: Essays on the Ebla Archives and Eblaite Language embodies eight cogent essays by a variety of specialists. Of particular interest in this issue is the second part of Michael Astour's history of Ebla. Contributors include Alfonso Archi, Michael C. Astour, Cyrus H. Gordon, Gary A. Rendsburg, Robert R. Stieglitz, and Al Wolters.

Bringing a feminist perspective to contemporary findings of geneticists and archeologists, Lucia Chiavola Birnbaum, cultural historian, points out that the oldest veneration we know is of a dark mother of central and south Africa, whose signs-ochre red and the pubic V-were taken by african migrants after 50,000 BCE to caves and cliffs of all continents. The oldest sanctuary in the world was created in 40,000 BCE by african migrants in Har Karkom, later called Mt. Sinai, foundation place of judaism, christianity, and islam.Lucia documents the continuing memory of the dark mother and her values in prehistoric images of the dark mother, in historic black madonnas and in other dark women divinities whose sanctuaries are on african paths. She tracks the memory in rituals and stories of her sicilian grandmothers, in persecution of dark others in patriarchal Europe and the United States, in the rise of nonviolent dark others since the 1960s,in the banners of the 1995 world conference of women at Beijing, and in art. She finds the dark mother's values-justice with compassion, equality, and transformation-in everyday and celebratory rituals of the world's subaltern cultures-and suggests that the image and values are in the submerged memories of everyone.

God in Translation offers a substantial, extraordinarily broad survey of ancient attitudes toward deities, from the Late Bronze Age through ancient Israel and into the New Testament. Looking closely at relevant biblical texts and at their cultural contexts, Mark S. Smith demonstrates that the biblical attitude toward deities of other cultures is not uniformly negative, as is commonly supposed. He traces the historical development of Israel's "one-god worldview, " linking it to the rise of the surrounding Mesopotamian empires. Smith's study also produces evidence undermining a common modern assumption among historians of religion that polytheism is tolerant while monotheism is prone to intolerance and violence.