Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.

Designed for first year students, this innovative guide builds on the usual knowledge base of students beginning literary study in HE by focusing on the familiar characters but introducing more sophisticated analysis.

Links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty Imperial Ventures links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty around the turn of the seventeenth century, amid London’s explosion in commercial colonialism. While the hazards of global maritime trade became increasingly apparent during the late sixteenth and early seventeenth centuries, the word “risk” did not enter English usage until around 1660. The prevailing scholarly narrative has linked uncertainty to concepts such as “chance,” “accident,” and “providence,” but this book reveals that these fragmentary concepts were reordered into an economic abstraction, and that the theater was a key site for that process. Playwrights reached for ways to represent this new uncertainty, and audiences watched perilous voyages set in colonial contexts and dramatized in increasingly typical forms. Imperial Ventures is organized by these forms, with five chapters examining scenes of shipwreck, pirates, enslavement, colonial subjection, and perilous news across a wide range of early modern plays. Benjamin VanWagoner shows how maritime drama connected English venturing to economic vulnerability in increasingly systematic ways, helping to develop the economic logic that would come to be codified as risk. In revealing this process, Imperial Ventures establishes the unique protocolonial status of early modern England—in the theater and at sea—and demonstrates how risk became a perverse instrument for justifying Anglophone imperialism.

Headlines declare after each new hint of evidence that the Lost Colony--the English colonists left on Roanoke Island in 1587, including Virginia Dare--has been found. None of these claims pass muster as the historical, archaeological, and literary evidence presented here demonstrate. This book analayzes several hypotheses and demonstrates why none have been shown to be more probable than any of the others. To understand how the 1587 colonists became The Lost Colony, the authors recount the history of the English expeditions in the 1580s and the original searches for the colonists from 1590 until the 1620s. The archaeological evidence gathered from the 19th through the 21st centuries is presented. The book then examines how the disappearance of the colonists has been portrayed in pseudoscience, fiction, and popular culture from the beginnings until the present day. In the end, readers will have all the data they need to judge new claims concerning the fate of The Lost Colony.