Pearl Buck tells the heart-seaching and tender story of a young Chinese girl's troubled acceptance of an alien way of life, with all its sorrows and rewards.

"To read East Wind Melts the Ice is to slip into a time stream that is both as long and sinuous as history and as ephemeral as the present moment. Drawing inspiration from the thousand year old history of Japanese poetic diaries, and form from the ancient Chinese almanac that she uses to contain her musings, Liza Dalby has accomplished the seemingly impossible task of translating the sensibility of the Heian Court of 11th century Japan into the context of contemporary America. The result is a stunning chronicle of the beauty of time passing and an evocation of the transient and whimsical nature of all things."—Ruth Ozeki, author of My Year of Meats and All Over Creation "I imagine Liza Dalby writing this book in an ancient library, a lion sleeping at her side, as in the paintings of Saint Jerome. As she collects and layers arcane and fascinating pieces of knowledge, she builds her own very personal almanac packed with the wonder of loving two cultures, the intense inner life of each season, and boundless curiosity of the scholar/child. This is a book to dip in and out of throughout the year."—Frances Mayes, author of Under the Tuscan Sun "Liza Dalby's memoir of the seasons is as fresh and captivating as springtime. A very special book."—Michael Pollan, author of The Omnivore's Dilemma "This beautiful book awakens the senses. A journal, an almanac of the seasons, and a series of reflections on ancient Eastern Chinese and Japanese cultures, here you will find subtle observations of rain and heat, tangerines, mulberries and paulownia trees, crickets and doves forming a rich tapestry as they are woven with evocative fragments of history—stories of geishas, of salesmen who sold bulk fireflies, of the wood that was used for kimono chests, of emptiness in the tea ceremony. Like a lush garden, this book is meant to savor."—Susan Griffin, author of The Book of the Courtesans

Contemporary discourse about human affairs is largely grounded in the specific historical experience and interests of a few dominant societies. This poses an important challenge to all those who urge that we need to adopt a global perspective on modern political life, whether in terms of international relations, comparative and developmental politi

When The East Wind Blows is a fictional account of WWII. This story takes over where the history books stop -- with the human side of the civilian struggle. Elisabeth, a German mother of four young children and her maid, Helga, flee the incoming Russian front. As they move toward the west, they find themselves in the center of the most devastating carpet bombings of the war. The women and children, along with an escaped Jew from a concentration camp, must overcome death, destruction, and hunger during the final days of the collapse of the Nazi Regime.

"Claire Campbell draws from recent work in cultural history, landscape studies in geography and art history, and environmental history to explore what happens when external agendas confront local realities - a story central to the Canadian experience. Explorers, fishers, artists, and park planners all were forced to respond to the unique contours of this inland sea; their encounters defined a regional identity even as they constructed a popular image for the Bay in the national imagination."--Jacket.

How Maoism captured the imagination of French intellectuals during the 1960s Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who’s who of French thinkers, writers, and artists, spurred by China’s Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin’s riveting narrative reveals that Maoism’s allure among France’s best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.