East Greek Pottery provides a comprehensive survey of the pottery made by the Greek settlers along the western coast of Turkey. The various styles of decoration described cover the period from the eleventh century to the beginning of the fifth century B.C. Subsequently, competition from Athens pressed local potters into using very simple ornament. Chapters include analysis of Grey ware, relief ware and archaic East Greek containers (or trade) amphorae, a class of pottery which is now attracting attention for its contribution to the study of ancient economic history. East Greek pottery is a field that has been neglected, and much remains uncertain. Conjecture and fact have been clearly distinguished in this volume, and detailed references allow the evidence to be viewed and judged by the reader.

Excavations on the Iberian Peninsula yield more and more Archaic and Classical Greek material every year. This is the first book to be published in English that discusses Archaic and Classical Greek pottery found in that area. The volume provides elaborate and up-to-date information. The first chapter (by A. Domínguez) is dedicated to Archaic pottery and covers the whole Peninsula; the second (by C. Sánchez) covers the Classical period, mainly based on the study of Attic pottery from Eastern Andalusia. Both chapters contain a catalogue with many illustrations. Not just finds are listed, but distribution and shape studies are included, as well as a discussion of how the local Iberian population viewed Attic painted pottery. The final chapter gives a general overview of trade, based upon the information presented in the previous chapters.

A collection of 22 essays presenting the latest research on a comprehensive range of questions relating to the Greek presence at the site of Egyptian Naukratis as it is reflected in the pottery from there. The volume includes scientific analysis and is richly illustrated with photographs including colour illustrations, line drawings, maps and tables.

This volume completes a series of four titles which comprehensively cover the development of Greek vases.

How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.