For almost ten thousand years, unbaked earth has been used to build remarkable structures, from simple dwellings to palaces, temples, and fortresses both grand and durable. Jean Dethier spent fifty years researching this landmark global survey, which spans five continents and 250 sites. The Art of Earth Architecture demonstrates the wide-ranging applications and sustainability of this building material, while presenting a manifesto for its ecological significance. Featuring raw-earth masterpieces, monumental structures, and little known works, the book includes the temples and palaces of Mesopotamia, the Great Wall of China, large-scale urban developments in Tenochtitlan in Mexico, the medinas of Morocco, and housing in Marrakech and Bogota. This definitive reference features many UNESCO World Heritage sites and contains essays on the historical, technical, and cultural aspects of raw-earth construction from twenty experts in the field, as well as hundreds of photographs, illustrations, and architectural drawings.

"The ground we walk on and grow crops in also just happens to be the most widely used building material on the planet. Civilizations throughout time have used it to create stable warm low-impact structures. The world's first skyscrapers were built of mud brick. Paul Revere Chairman Mao and Ronald Reagan all lived in earth houses at various points in their lives and several of the buildings housing Donald Judd's priceless collection at the Chinati Foundation in Marfa Texas are made of mud brick." "While the vast legacy of traditional and vernacular earthen construction has been widely discussed, little attention has been paid to the contemporary tradition of earth architecture. Author Ronald Rael founder of Eartharchitecture.org provides a history of building with earth in the modern era focusing particularly on projects constructed in the last few decades that use rammed earth mud brick compressed earth cob and several other interesting techniques. Earth Architecture presents a selection of more than 40 projects that exemplify new creative uses of the oldest building material on the planet."--BOOK JACKET.

Earthen architecture is widespread all over the world and demonstrates a significant richness of varieties both in application and in materials used. This book discusses and debates the lessons that can be learned from earthen architecture to create sustainable architecture today, both for the conservation of traditional existing buildings and the

On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.

Invented about 13,000 years ago, mud architecture has since been one of the most common, economical, useful, and widespread forms of building. It has been--and is still being--used for grand palaces and temples as well as simple shops and homes. Research conducted over the last several decades has enabled archaeologists and architects to understand how now-ruined, ancient mud structures were originally built. Gus and Ora Van Beek describe mud-construction techniques from Southwest Asia, the Near East, North Africa, Europe, and the United States, paying specific attention to problems involving foundations, wall and roof construction, cooling and heating, water erosion, and earthquake damage. Glorious Mud! is not only the definitive reference work on one of the world's most important forms of architecture but also a powerful study of the human past.

This book provides an insightful overview of the current state of earth building. The author approaches the subject from the perspective of the building material’s life cycle, featuring in-depth explanations of the cycle's individual steps: extraction and classification of construction soil; production of earth building materials and earthen structures; planning, construction and renovation of earth buildings; and demolition and recycling of earthen structures. This unique resource provides examples of sophisticated earth building projects and illustrates the diverse applications of earth as a building material. Compared to conventional mineral building materials, earth possesses particularly positive ecological qualities such as its energy balance and recyclability. Architects, engineers, students, manufacturers and distributors of building materials, building contractors, building biologists, public authorities and preservationists will benefit from this book’s ample coverage of restoring, optimizing and building with this material of the past, present and future.

Collins provides a thorough history of the new nineteenth century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975, this new edition of Concrete includes a foreword by Kenneth Frampton, a scholarly introduction by Réjean Legault, and several additional essays on Perret by Peter Collins. From the Foreword by Kenneth Frampton: "Concrete remains a valuable historical text that in many respects has never been given its due. It is an unmatched pioneering history of the development of reinforced concrete up to 1914. It records and analyses the densely articulated, if provincial, English debate with respect to the aesthetic challenge posed by the increasing popularity of concrete from around 1870 onwards. Finally, until very recently it was the only readily available monograph on Auguste Perret in English. In this regard it is particularly valuable as a thorough and perceptive assessment of Perret's life and career, one that still stands as a point of departure for all current attempts to situate this seminal architect within the wider trajectory of twentieth-century culture."