This subject is brought together and treated in depth for the first time. Drawing on the best scholarship of others and extensive personal research, the author uncovers the technology and the significance of paint in early Native California. Hundreds of rare photographs parallel the text. Many are of painted 19th century Indians. Others in full color depict an array of ochre-covered artifacts. Images from walls of remote caves transport the reader to a California long past and little known.

Author Paul Campbell reveals the knowledge he has spent 20 years learning and reproducing from California natives. Included are sections on the basic skills of survival, the tools of gathering and food preparation, and the implements of household and personal necessity, as well as the arts of hunting and fishing. Sample topics include: shelter; greens, beans, flowers and other vegetables; meat preparation; how to make and shoot an Indian bow.--From publisher description.

This monograph provides a glimpse of the Kumeyaay cosmology with worldview, observatories, constellations and stories, including modern interpretations of the calendar. Kumeyaay cosmology was traditionally intertwined with ceremonies, harvest & hunts, burning schedules and the acquisition of spiritual power. Personal conduct was subject to cosmological constraints and rewards. Cosmology was so important that Spanish priests and subsequent U.S. government agents worked hard to repress and expunge the beliefs from Kumeyaay society.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

The Tataviam are a small California tribe from northern Los Angeles County. "Tataviam" means "people facing the sun." It is what our neighbors to the north, the Kitenemuk tribe, called us. We, the Tataviam people, believe we have lived in Tataviam territory since time immemorial. The Santa Clarita Valley is the center of Tataviam territory-it is our heart. In order for tribal cultures to survive, we must sing new songs and tell new stories. This is my original creation story. I tell it in the spirit of my Tataviam ancestors. -Alan Salazar "Puchuk Yaʼiaʼc"

Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.