This book presents the lives, careers, and work of fifty largely unknown pioneers. It chronicles the triumphs and challenges these path-breaking women faced in their pursuit of entering and claiming space in the male-dominated field of architecture. Included are photographs of buildings, portraits of the architects, and some architectural drawings. Each biography offers vital data, a description of the career, a list of known buildings and work, and a bibliography. Four appendices list female architecture students at the University of California, Berkeley, women certified by California to practice architecture, members of women's architectural societies, and female members of the American Institute of Architects.

A timely and important search for architecture's missing women For a century and a half, women have been proving their passion and talent for building and, in recent decades, their enrollment in architecture schools has soared. Yet the number of women working as architects remains stubbornly low, and the higher one looks in the profession, the scarcer women become. Law and medicine, two equally demanding and traditionally male professions, have been much more successful in retaining and integrating women. So why do women still struggle to keep a toehold in architecture? Where Are the Women Architects? tells the story of women's stagnating numbers in a profession that remains a male citadel, and explores how a new generation of activists is fighting back, grabbing headlines, and building coalitions that promise to bring about change. Despina Stratigakos's provocative examination of the past, current, and potential future roles of women in the profession begins with the backstory, revealing how the field has dodged the question of women's absence since the nineteenth century. It then turns to the status of women in architecture today, and the serious, entrenched hurdles they face. But the story isn't without hope, and the book documents the rise of new advocates who are challenging the profession's boys' club, from its male-dominated elite prizes to the erasure of women architects from Wikipedia. These advocates include Stratigakos herself and here she also tells the story of her involvement in the controversial creation of Architect Barbie. Accessible, frank, and lively, Where Are the Women Architects? will be a revelation for readers far beyond the world of architecture.

In Women and the Everyday City, Jessica Ellen Sewell explores the lives of women in turn-of-the-century San Francisco. A period of transformation of both gender roles and American cities, she shows how changes in the city affected women's ability to negotiate shifting gender norms as well as how women's increasing use of the city played a critical role in the campaign for women's suffrage. Focusing on women's everyday use of streetcars, shops, restaurants, and theaters, Sewell reveals the impact of women on these public places-what women did there, which women went there, and how these places were changed in response to women's presence. Using the diaries of three women in San Francisco-Annie Haskell, Ella Lees Leigh, and Mary Eugenia Pierce, who wrote extensively on their everyday experiences-Sewell studies their accounts of day trips to the city and combines them with memoirs, newspapers, maps, photographs, and her own observations of the buildings that exist today to build a sense of life in San Francisco at this pivotal point in history. Working at the nexus of urban history, architectural history, and cultural geography, Women and the Everyday City offers a revealing portrait of both a major American city during its early years and the women who shaped it-and the country-for generations to come.

An invaluable reference covering the history of women architects

Richard Longstreth provides a detailed picture of the early careers of four architects—Bernard Maybeck, Willis Polk, Ernest Coxhead, and A.C. Schweinfurth—who had a decisive impact on the course of design in the San Francisco Bay Area and who stand as significant contributors to American architecture.

This new biography—featuring over 150 archival images and full-color photographs printed throughout—introduces Julia Morgan as both a pioneering architect and a captivating individual. Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the École des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty years constructing this opulent estate on the California coast for the newspaper magnate William Randolph Hearst—forging a lifelong friendship and creative partnership with him. Together, they built a spectacular and unequalled residence that once hosted the biggest stars of Hollywood's golden age, and that now welcomes hundreds of thousands of visitors each year. This compelling biography draws on interviews, letters, and Morgan's diaries, including never-before-seen reflections on faith, art, and her life experiences. Morgan's friendship with Hearst, her passion for California's landscape, her struggles with familial dementia, and her devotion to architecture reveal her to have been a singularly brilliant and determined artist. PREVIOUSLY UNPUBLISHED CONTENT: Victoria Kastner has spent years compiling photographs, interviews, letters, drawings, and diaries—including material never published before—to create the first truly comprehensive portrait of this amazing woman. OVER 150 PHOTOGRAPHS: This book features over 150 photographs, printed throughout the text. These include both fascinating archival images and beautiful, full-color contemporary shots of Morgan's buildings. INSPIRING STORY: By exploring both Morgan's work and her life, Kastner weaves a captivating tale about courage, vision, and resilience. Julia Morgan forged a path for herself against the odds, and her story will inspire contemporary women and creatives. ARCHITECTURAL ICON: Julia Morgan created 700 buildings during her career, from hotels to churches to private homes. Born in San Francisco and trained in Paris, she developed a distinctive aesthetic that now defines certain regions of California. But only in the last twenty years has her contribution to architecture been fully recognized and celebrated. In 2014, the American Institute of Architects' posthumously awarded her its Gold Medal; she was the first female recipient. Perfect for: • History buffs • Students, enthusiasts, and professional architects • Aspiring creatives in all fields • Feminists seeking role models • Visitors to Hearst Castle and Morgan's other buildings • Californians and visitors to California

Warum erhalten Architektinnen nicht die Anerkennung, die ihr Werk verdient? Women in Architecture ist ein Manifest für die großartigen Leistungen von Frauen in der Architektur. 36 international tätige Architektinnen kommen mit einem eigenen Projekt zu Wort. Dieses vielfältige Panorama wird ergänzt von Essays zu Pionierinnen in der Architektur und Analysen, die der strukturellen Diskriminierung von Architektinnen auf den Grund gehen. Mit Mona Bayr, Odile Decq, Elke Delugan-Meissl, Julie Eizenberg, Manuelle Gautrand, Annette Gigon, Silvia Gmür, Cristina Guedes, Melkan Gürsel, Itsuko Hasegawa, Anna Heringer, Fabienne Hoelzel, Helle Juul, Karla Kowalski, Anupama Kundoo, Anne Lacaton, Regine Leibinger, Lu Wenyu, Dorte Mandrup, Rozana Montiel, Kathrin Moore, Farshid Moussavi, Carme Pinós, Nili Portugali, Paula Santos, Kazuyo Sejima, Annabelle Selldorf, Pavitra Sriprakash, Siv Helene Stangeland, Brigitte Sunder-Plassmann, Lene Tranberg, Billie Tsien, Elisa Valero, Natalie de Vries, Andrea Wandel und Helena Weber.