The saga englynion are among the most appealing medieval Welsh poems. Despite some difficulties, their style is generally direct and their contents interesting to modern readers. In these poems the anonymous poets speak as characters from story. The full narrative setting has been lost, but enough can be reconstructed to appreciate the poetry. This selection includes dramatic dialogues and monologues exploring the acceptable limits of heroism. The old warrior, Llywarch Hen, mourns his sons’ death in battle and his lonely old age full of regrets. Heledd, the only major female character in the saga poetry, laments the loss of her family and her country to the invading English. A Selection of Early Welsh Saga Poems, the fifth volume of the Library of Medieval Welsh Literature Series, presents edited texts from the main manuscripts. The introduction offers a guide to interpretation, dating, and metrics, while a full glossary and explanatory notes make these poems readily accessible to the reader.

The early Welsh Saga Englynion are lyric poems in character, long presumed to be the poetic remains of lost stories, told in a mixture of prose and verse. Three main cycles survive, centred on the figures of Llywarch Hen, who loses all his sons in his vicarious quest for glory; Unrien Rheged, a king unwillingly betrayed by his follower and kinsman; and Heledd, the sole survivor of an English invasion of her country. There are also many non-cyclical poems of the same type with other narrator figures such as the leper of Abercuawg. The best poems display considerable artistry and emotional intensity. The critical discussion of the saga Englynion seeks to restore the lost narrative background by careful reading of internal indications and by comparative study. The growth, nature and artistry of each cycle is fully explored, as well as how each relates to the larger corpus. Relevant early Welsh traditions and history are also cited. This is the first full edition of the saga Englynion since Sir Ifor Williams's Canu Llywarch Hen, and uses two additional manuscript copies. Full translations make the work accessible to a wider audience.

For over a thousand years, Arthur has had widespread appeal and influence like no other literary character or historical figure. Yet, despite the efforts of modern scholars, the earliest references to Arthurian characters are still shrouded in uncertainty. They are mostly found in poetic texts scattered throughout the four great compilations of early and medieval Welsh literature produced between 1250 and 1350. Whilst some are thought to predate their manuscript sources by several centuries, many of these poems are notoriously difficult to date. None of them are narrative in nature and very few focus solely on Arthurian material but they are characterised by an allusiveness which would have been appreciated by their intended audiences in the courts of princes and noblemen the length and breadth of Wales. They portray Arthur in a variety of roles: as a great leader of armies, a warrior with extraordinary powers, slayer of magical creatures, rescuer of prisoners from the Otherworld, a poet and the subject of prophecy. They also testify to the possibility of lost tales about him, his father, Uthr, his son, Llachau, his wife, Gwenhwyfar, and one of his companions, Cai, and associate him with a wide array of both legendary and historical figures. Arthur in Early Welsh Poetry, the fourth volume in the MHRA Library of Medieval Welsh Literature series, provides discussion of each of the references to Arthurian characters in early Welsh poetic sources together with an image from the earliest manuscript, a transliteration, a comprehensive edition, a translation (where possible) and a word-list. The nine most significant texts are interpreted in more detail with commentary on metrical, linguistic and stylistic features.

The saga englynion are among the most appealing medieval Welsh poems. Despite some difficulties, their style is generally direct and their contents interesting to modern readers. In these poems the anonymous poets speak as characters from story. The full narrative setting has been lost, but enough can be reconstructed to appreciate the poetry. This selection includes dramatic dialogues and monologues exploring the acceptable limits of heroism. The old warrior, Llywarch Hen, mourns his sons' death in battle and his lonely old age full of regrets. Heledd, the only major female character in the saga poetry, laments the loss of her family and her country to the invading English. A Selection of Early Welsh Saga Poems, the fifth volume of the Library of Medieval Welsh Literature Series, presents edited texts from the main manuscripts. The introduction offers a guide to interpretation, dating, and metrics, while a full glossary and explanatory notes make these poems readily accessible to the reader. Jenny Rowland is a senior lecturer in Welsh and Celtic at University College Dublin.

Among the most enigmatic and fascinating of early Welsh poems are the sequences of stanzas commonly categorized as gnomic. In their most typical form they juxtapose vivid natural description with generalisations about the physical world and about human life, combining an evident delight in weather and the changing seasons, landscapes and seascapes, and birds, beasts and plants with a serious and often witty concern for the moral and practical aspects of daily life. The origin and function of these stanzas remains a puzzle; some may be associated with particular situations in narratives now lost, but as a whole they appear to have developed at an early stage into a recognised genre of their own. They may be supposed to have a philosophical purpose, serving to assert a continuity between the natural and moral orders; on the other hand they may be read simply as a repository of folk-wisdom. While their interpretation remains a matter for discussion, their language is comparatively simple, and they thus provide an engaging window on the ordinary conceptual world of mediaeval Wales. This volume presents texts of the gnomic stanzas from the most important collection, that in Red Book of Hergest, and from some other manuscripts, with a few other poems containing related material, some of them edited in English for the first time, together with a literary and linguistic introduction, explanatory commentary and extensive glossary. Nicolas Jacobs is an Emeritus Fellow of Jesus College, Oxford.

The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.

This anthology of Welsh poems from c.575 to c.1525 offers the general reader the most substantial collection of medieval Welsh verse yet rendered into English, in translations that will support the claim that this poetry is one of the finest literary achievements of the Middle Ages. Drawing on Professor Clancy's acclaimed Medieval Welsh Lyrics (1965) and The Earliest Welsh poetry (1970) this comprehensive anthology presents over 150 poems, eloquently translated that render poetry as poetry. A lucid introduction, ample notes and a glossary provide the background needed for a full appreciation of the poems.