Early Music History: Volume 21
Title | Early Music History: Volume 21 PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 304 |
Release | 2002-11-21 |
Genre | Music |
ISBN | 9780521818872 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.
Early Music History: Volume 14
Title | Early Music History: Volume 14 PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 292 |
Release | 1995-11-16 |
Genre | Literary Criticism |
ISBN | 9780521558433 |
Devoted to the study of music from the early Middle Ages to the end of the seventeenth century
Early Music History
Title | Early Music History PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 0 |
Release | 2009-03-19 |
Genre | Music |
ISBN | 9780521104463 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in Volume 21 include: 'Aaron's interpretation of Isidore and an illustrated copy of the Toscanello'; 'Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy'; 'The Triodia Sacra as a key source for late-Renaissance music in southern Germany;' 'The debate over song in the Accademia Fiorentina.'
Early Music History: Volume 22
Title | Early Music History: Volume 22 PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 346 |
Release | 2003-10-16 |
Genre | Music |
ISBN | 9780521831093 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 22 include: O Quelle Armonye: dialogue singing in late Renaissance France; Ars Subtilior and the patronage of French princes; Laboring in the midst of wolves: reading a group of Fauvel motets; Watermarks and musicology: the genesis of Johannes Wiser's collection.
Early Music History Paperback Set
Title | Early Music History Paperback Set PDF eBook |
Author | Iain Fenlon |
Publisher | |
Pages | 8012 |
Release | 2009-01-29 |
Genre | Music |
ISBN | 9780521759854 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
Early Music History: Volume 13
Title | Early Music History: Volume 13 PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 322 |
Release | 1995-02-23 |
Genre | Music |
ISBN | 9780521472821 |
Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
Early Music History: Volume 17
Title | Early Music History: Volume 17 PDF eBook |
Author | Iain Fenlon |
Publisher | Cambridge University Press |
Pages | 350 |
Release | 1999-03-04 |
Genre | Music |
ISBN | 9780521622424 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.