Reading a wide range of early modern authors and exploring their cultural-historical, philosophical and scientific contexts, Early Modern Writing and the Privatization of Experience examines the shift in focus from reliance on shared experience to placing of trust in individualized experience which occurs in the writing and culture of the period. Nick Davis contends that much of the era's literary production participates significantly in this broad cultural movement. Covering key writers of the period including Shakespeare, Donne, Chaucer, Spenser, Langland, Hobbes and Bunyan, Davis begins with an overview of the medieval-early modern privatizing cultural transition. He then goes on to offer an analysis of King Lear, Richard II, Henry IV Part 1, The Winter's Tale, and the first three books of The Fairie Queene, among other texts, considering their treatment of the relation between individual life and the life attributed to the cosmos, the idea of symbolic narrative positing a collective human subject, and the forming of pragmatic relations between individual and group.

Church Life: Pastors, Congregations, and the Experience of Dissent in Seventeenth-Century England addresses the rich, complex, and varied nature of 'church life' experienced by England's Baptists, Congregationalists, and Presbyterians during the seventeenth century. Spanning the period from the English Revolution to the Glorious Revolution, and beyond, the contributors examine the social, political, and religious character of England's 'gathered' churches and reformed parishes: how pastors and their congregations interacted; how Dissenters related to their meetings as religious communities; and what the experience of church life was like for ordinary members as well as their ministers, including notably John Owen and Richard Baxter alongside less well-known figures, such as Ebenezer Chandler. Moving beyond the religious experience of the solitary individual, often exemplified by conversion, Church Life redefines the experience of Dissent, concentrating instead on the collective concerns of a communally-centred church life through a wide spectrum of issues: from questions of liberty and pastoral reform to matters of church discipline and respectability. With a substantial introduction that puts into context the key concepts of 'church life' and the 'Dissenting experience', the contributors offer fresh ways of understanding Protestant Dissent in seventeenth-century England: through differences in ecclesiology and pastoral theory, and via the buildings in which Dissent was nurtured to the building-up of Dissent during periods of civil war, persecution, and revolution. They draw on a broad range of printed and archival materials: from the minutes of the Westminster Assembly to the manuscript church books of early Dissenting congregations.

Laurie Ellinghausen here analyzes how the concept of labor as a calling, which was assisted by early modern experiments in democracy, print, and Protestant religion, had a lasting effect on the history of authorship as a profession. Among the authors discussed are Ben Jonson; the maidservant and poet Isabella Whitney; the journalist and satirist Thomas Nashe; the boatman John Taylor "The Water Poet"; and the Puritan radical George Wither.

Writing Early Modern London explores how urban community in London was experienced, imagined and translated into textual form. Ranging from previously unstudied manuscripts to major works by Middleton, Stow and Whitney, it examines how memory became a key cultural battleground as rites of community were appropriated in creative ways.

What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation - the elegy, the ode, the hymn - have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question - Jorie Graham, Frank O'Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others - have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to dissolve points of difference within the genre itself. The broader aim of this volume is to demonstrate that experimental poets since 1945 have not always been rebarbative and anti-traditional, but rather that their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric. CONTRIBUTORS: Ruth Abbott, Edward Allen, Gareth Farmer, Fiona Green, Drew Milne, Jeremy Noel-Tod, Sophie Read, Matthew Sperling, Esther Osorio Whewell, John Wilkinson

A new edition of a seminal work—one that explores crucial changes within Europe from the fifteenth to the eighteenth century The early modern period was one of profound change in Europe. It was witness to the development of science, religious reformation, and the birth of the nation state. As Europeans explored the world—looking to Asia and the Americas for new peoples and lands—their societies grew and adapted. Eminent historian Henry Kamen explores in depth the issues that most affected those living in early modern Europe—from leisure, work, and migration to religion, gender, and discipline—and the way in which population change impacted the aristocracy, the bourgeoisie, and the poor. The third edition of this pioneering study includes new and updated material on gender, religion, and population movement. Richly illustrated, this is essential reading for all those interested in early modern European society.