Most scholarship on early Greek alphabetic writing has focused on the questions around the origin of 'the Greek alphabet', instead of acknowledging the diversity of alphabetic systems that emerged in Geometric and Archaic Greece. The research concerning the so-called epichoric scripts was introduced by Kirchhoff in the 19th century and saw its highest point in the 1960s with the works of Jeffery and Guarducci. Nevertheless, recent epigraphical finds and new possibilities offered by digital tools call for a revised, comprehensive study of these alphabets. Unlike previous research, which was mostly concerned with palaeography, this book presents a linguistic analysis of the epichoric alphabets that follows the latest trends in grapholinguistics and the methodology of comparative graphematics. The latter is a branch of writing systems research focused on the relationship between graphemes and the values that they represent and compares them across writing systems. This study compares the different Greek alphabets in their earliest stages, i.e. 8th and 7th centuries BC, also taking into account other contemporaneous alphabets, like those for Phrygian, Eteocretan and the Italic languages. Through the analysis of the data provided by the epigraphic texts dated within the chronological framework of this thesis, it is possible to identify the different notation systems that Greek-speakers devised to represent their dialects in writing. This brings new insights on the innovations created by these communities and the different alphabetic traditions present in Greece and across the Mediterranean. The conclusion of the book emphasizes the need to study these regional alphabets independently, rather than considering them as part of a unified entity - 'the Greek alphabet' - which did not exist at the time, and creates a new line for future research that intends to frame them individually within the ecology of ancient Mediterranean alphabets.

A challenging and fascinating enquiry into the genesis of alphabetic writing.

The idea behind the alphabet - that language with all its wealth of meaning can be recorded with a few meaningless signs - is an extraordinary one. So extraordinary, in fact, that it has occurred only once in human history: in Egypt about 4000 years ago. Alpha Beta follows the emergence of the western alphabet as it evolved into its present form, contributing vital elements to our sense of identity along the way. The Israelites used it to define their God, the Greeks to capture their myths, the Romans to display their power. And today, it seems on the verge of yet another expansion through the internet. Tracking the alphabet as it leaps from culture to culture, John Man weaves discoveries, mysteries and controversies into a story of fundamental historical significance.

Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge. Understanding Relations Between Scripts II: Early Alphabets is the first volume in this series, bringing together ten experts on ancient writing, languages and archaeology to present a set of diverse studies on the early development of alphabetic writing systems and their spread across the Levant and Mediterranean during the second and first millennia BC. By taking an interdisciplinary perspective, it sheds new light on alphabetic writing not just as a tool for recording language but also as an element of culture.

Certain characteristic features of the Cypriot script - for example, its strategy for representing consonant sequences and elements of Cypriot Greek phonology - were transferred to the new alphabetic script. Proposing a Cypriot origin of the alphabet at the hands of previously literate adapters brings clarity to various problems of the alphabet, such as the Greek use of the Phoenician sibilant letters. The alphabet, rejected by the post-Bronze Age "Mycenaean" culture of Cyprus, was exported west to the Aegean, where it gained a foothold among a then illiterate Greek people emerging from the Dark Age. Woodard's study, a combination of philological and epigraphical investigation with linguistic theory, should be of interest to both scholars and students of classics, linguistics, and Near Eastern studies.

Despite the flourishing of epichoric studies on the Archaic Greek scripts in the 1960s, embodied by archaeologists Lilian Hamilton Jeffery and Margherita Guarducci, most scholarship on early alphabetic writing in Greece has focused on questions around the origin of ‘the Greek alphabet’ instead of acknowledging the diversity of alphabetic systems that emerged in Geometric and Archaic times. The present book proposes to bring back the epichoric approach by focusing on the different ways in which the earliest epigraphic evidence represents the spoken Greek dialects. However, instead of continuing the palaeographic methodology of previous studies, this analysis follows the latest trends in grapholinguistics, more specifically the methodology of comparative graphematics. By examining the grapheme-phoneme relationships across Greek-speaking regions, it is possible to recognize that diversity and to draw connections with neighboring contemporaneous alphabets, such as those for Phrygian, Eteocretan and Etruscan. This work, carried out within the Contexts of and Relations between Early Writing Systems (CREWS) project, aims to contribute towards the conceptualization of the so-called epichoric scripts as independent alphabets, as well as their framing within the ecology of ancient Mediterranean writing systems. Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation program (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.

“One of the most satisfying accounts of a great passion that I have ever read.” —Vivian Gornick, New York Times Book Review Mary Norris, The New Yorker’s Comma Queen and best-selling author of Between You & Me, has had a lifelong love affair with words. In Greek to Me, she delivers a delightful paean to the art of self-expression through accounts of her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, and reveals the surprising ways in which Greek helped form English. Greek to Me is filled with Norris’s memorable encounters with Greek words, Greek gods, Greek wine—and more than a few Greek men.