Early English Stages, 1300 to 1660: 1576 to 1660. 2 v
Title | Early English Stages, 1300 to 1660: 1576 to 1660. 2 v PDF eBook |
Author | Glynne William Gladstone Wickham |
Publisher | |
Pages | |
Release | 1963 |
Genre | Theater |
ISBN |
Early English Stages, 1300 to 1660: Plays and their makers to 1576
Title | Early English Stages, 1300 to 1660: Plays and their makers to 1576 PDF eBook |
Author | Glynne William Gladstone Wickham |
Publisher | Columbia University Press |
Pages | 408 |
Release | 1959 |
Genre | English drama |
ISBN | 9780231089388 |
Early English Stages
Title | Early English Stages PDF eBook |
Author | Glynne Wickham |
Publisher | |
Pages | 408 |
Release | 1963 |
Genre | |
ISBN |
Early English Stages, 1300 to 1660
Title | Early English Stages, 1300 to 1660 PDF eBook |
Author | Glynne Wickham |
Publisher | |
Pages | 0 |
Release | 1972 |
Genre | Theater |
ISBN | 9780710022868 |
Early English Stages
Title | Early English Stages PDF eBook |
Author | Glynne Wickham |
Publisher | |
Pages | 0 |
Release | 2002 |
Genre | |
ISBN | 9780415197854 |
Part II - Early English Stages 1576-1600
Title | Part II - Early English Stages 1576-1600 PDF eBook |
Author | Glynne Wickham |
Publisher | Routledge |
Pages | 313 |
Release | 2013-06-17 |
Genre | Performing Arts |
ISBN | 1136288619 |
This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.
The Shakespeare North Playhouse
Title | The Shakespeare North Playhouse PDF eBook |
Author | Tim Keenan |
Publisher | Taylor & Francis |
Pages | 258 |
Release | 2024-04-26 |
Genre | Performing Arts |
ISBN | 1040019609 |
This collection celebrates the opening of the Shakespeare North Playhouse (SNP). After discussion of its genesis and development by four people pivotal to its progress at different stages of the project, this book explores different aspects of the SNP’s purpose and functions across three broad categories: buildings and spaces, practices and performance, and community arts and education. Various chapters offer answers to fundamental questions about replica theatres, including: Why do we build them? What do they do? How do we use them? In the course of these discussions, the purposes, potential, and programming of the SNP are discussed in relation to other Globe-type replicas in the UK and beyond. Contributors to this collection analyse key academic and practice-based concerns within their fields of expertise connected to the use (and misuse) of replica theatres to suggest the ways in which they can be used to drive research and practice in contemporary Shakespearean performance, connect with young people, and serve local communities. This book will appeal to academics, students, and practitioners interested in historical and contemporary approaches to Shakespeare in the fields covered. It should also appeal to general readers with an interest in the topics, particularly in Merseyside and the North-West region.