Early English Stages, 1300 to 1660: 1576 to 1660. 2 v

Early English Stages, 1300 to 1660: 1576 to 1660. 2 v
Title Early English Stages, 1300 to 1660: 1576 to 1660. 2 v PDF eBook
Author Glynne William Gladstone Wickham
Publisher
Pages
Release 1963
Genre Theater
ISBN

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Early English Stages, 1300 to 1660: Plays and their makers to 1576

Early English Stages, 1300 to 1660: Plays and their makers to 1576
Title Early English Stages, 1300 to 1660: Plays and their makers to 1576 PDF eBook
Author Glynne William Gladstone Wickham
Publisher Columbia University Press
Pages 408
Release 1959
Genre English drama
ISBN 9780231089388

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Early English Stages

Early English Stages
Title Early English Stages PDF eBook
Author Glynne Wickham
Publisher
Pages 408
Release 1963
Genre
ISBN

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Early English Stages, 1300 to 1660

Early English Stages, 1300 to 1660
Title Early English Stages, 1300 to 1660 PDF eBook
Author Glynne Wickham
Publisher
Pages 0
Release 1972
Genre Theater
ISBN 9780710022868

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Early English Stages

Early English Stages
Title Early English Stages PDF eBook
Author Glynne Wickham
Publisher
Pages 0
Release 2002
Genre
ISBN 9780415197854

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Part II - Early English Stages 1576-1600

Part II - Early English Stages 1576-1600
Title Part II - Early English Stages 1576-1600 PDF eBook
Author Glynne Wickham
Publisher Routledge
Pages 313
Release 2013-06-17
Genre Performing Arts
ISBN 1136288619

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This volume forms part of the 5 volume set Early English Stages 1300-1660. This set examines the history of the development of dramatic spectacle and stage convention in England from the beginning of the fourteenth century to 1660.

The Shakespeare North Playhouse

The Shakespeare North Playhouse
Title The Shakespeare North Playhouse PDF eBook
Author Tim Keenan
Publisher Taylor & Francis
Pages 258
Release 2024-04-26
Genre Performing Arts
ISBN 1040019609

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This collection celebrates the opening of the Shakespeare North Playhouse (SNP). After discussion of its genesis and development by four people pivotal to its progress at different stages of the project, this book explores different aspects of the SNP’s purpose and functions across three broad categories: buildings and spaces, practices and performance, and community arts and education. Various chapters offer answers to fundamental questions about replica theatres, including: Why do we build them? What do they do? How do we use them? In the course of these discussions, the purposes, potential, and programming of the SNP are discussed in relation to other Globe-type replicas in the UK and beyond. Contributors to this collection analyse key academic and practice-based concerns within their fields of expertise connected to the use (and misuse) of replica theatres to suggest the ways in which they can be used to drive research and practice in contemporary Shakespearean performance, connect with young people, and serve local communities. This book will appeal to academics, students, and practitioners interested in historical and contemporary approaches to Shakespeare in the fields covered. It should also appeal to general readers with an interest in the topics, particularly in Merseyside and the North-West region.