ix + 215 pp.Publishined in three volumes, A48, A49, and A50

John’s Gospel possesses a generous range of meanings and has had an enduring impact across the generations. This book explores that impact from a range of disciplines: from the exegetical and theological to the historical, spiritual, liturgical, musical, pastoral, political, and postcolonial. It encompasses contributions from a number of scholars and writers associated with Trinity College, University of Divinity, Melbourne, who all share a common love for this Gospel and a conviction of its continuing relevance. Australian biblical scholar Professor Francis J. Moloney SDB says in his foreword that various “receptions” of the Fourth Gospel are illuminatingly explored in this book, which demonstrates how the Gospel of John has played a critical role in shaping the theology and culture of the Christian tradition.

Thomas Hastings (1784–1872) was one of the foremost advocates of “reform psalmody,” which sought to replace the “crudities” of the Billings-Read-Holden school of American sacred music with a more graceful melodic style and the common practice harmonic idiom characteristic of European music. The present edition makes available for modern study and performance a selection of Hastings’s choral music, chosen from a single genre—the anthem—to facilitate comparative study, both within his corpus and with similar pieces by others. Hastings’s anthems are typically for four-part mixed choir, with the melody given to the treble (unlike early American psalmody). Many of the works include a keyboard part, either fully notated or in the form of a figured bass.